UK government’s acquisition of the Marbles
The assertion by the British Museum on its website that the Parthenon Marbles were legally obtained is unproven and unsafe. The BCRPM therefore states on its own website in the name of balance and objectivity that the legality of the UK government’s acquisition of the Marbles remains entirely unproven.

For 200 years the Greeks have been yearning for the return of their marble sculptures taken by England from the Parthenon.

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The British Committee for the Reunification of the Parthenon Marbles

Find out about the various ways to get involved with the campaign, or simply learn more about the subject.

Leading Quotes
Supportive Views

"The British Museum could become a truly moral, world Museum of the 21st century, recognising that Athens, having built a home for the Parthenon sculptures, is worthy of exhibiting the surviving fragmented pieces in the Acropolis Museum."
- Dame Janet Suzman

"It would be a good thing if the British Museum gave the 2,500-year-old sculptures back to Greece. Even in England the polling is in favour of returning the marbles."
- George Clooney

"Recognising that what you did in the past isn't always the right thing for the present. You can't justify something now with what took place 200 years ago."
- Victoria Hislop

"If Lord Elgin decided he wanted to put those marbles in Edinburgh at the museums they would have been back years ago. I have no reservations about what's happening and how it is wrong. And it is theft. And those Elgin Marbles should go back to Greece."
- Brian Cox

Case for Return

The Parthenon Gallery in the Acropolis Museum, is the one place on earth where it is possible to experience simultaneously the Parthenon and its missing sculptures.

History of Marbles
The History of the Marbles

For 200 years the Greeks have been yearning for the return of their marble sculptures taken by England from the Parthenon.

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Museums: letting the genie out of the bottle

Tristram Besterman was the keynote speaker at the London 07 June 2016 commemorative event organised by the British Committee for the Reunification of the Parthenon Marbles in conjunction with:

The International Organizing Committee – Australia – for the Restitution of the Parthenon Marbles Inc. (IOC-A-RPM) and the South African Committee for the Reunification of the Parthenon Marbles (SACRPM).

The event marked 200 years from the date in 1816 when the British Parliament voted to purchase from Lord Elgin his collection of sculpted marbles collected from the Parthenon and elsewhere on the Athenian Acropolis.

 

To date and despite many requests made by Greece, the British Government and the British Museum are not looking to find ways to reunite what is a peerless work of art. For more information on the UK Government and British Museum's position, please click here.


Keynote speaker for the event was Tristram Besterman and his paper entitled, Museums: letting the genie out of the bottle, provided all that attended with food for thought.

Placing the debate around the contested Parthenon sculptures in the context of the 21st century museum, Tristram reflected on the democratically accountable museum, his own involvement in repatriation and how we should open up the museum as a space where other voices are heard. Far from a betrayal of Enlightenment values, museums are true to their roots when they challenge orthodoxy and reframe authenticity.

To read Tristram's paper, please click here.

Tristram Besterman is a freelance adviser and writer on museums and issues of cultural identity, dispossession and restitution. He draws on over forty years of experience of leading, managing, and developing museums in the public realm in the UK.

Following a brief stint with the BBC in London, Tristram's first job in a museum was in Sydney in 1974. There he discovered that his interest in public communication also called upon the scientific training he'd received at Cambridge. On a visit to Canberra, Tristram witnessed the Aboriginal Tent Embassy outside the national Parliament building, a scene that raised his own awareness of Aboriginal rights in Australia.

On his return to the UK, Tristram's subsequent museum career took him via Sheffield, Warwick and Plymouth to the Manchester Museum, where he was director from 1994 until 2005. In 2003, the Manchester Museum repatriated a number of human remains to Australian Aboriginal representatives, one of the first UK museums to do so. To read more on this, click here.

For over two decades Tristram was influential in the development of museum ethics in the UK and internation­ally, and was Convener of the Museums Association Ethics Committee from 1994 to 2001. He redrafted and renegotiated the definition of a new kind of socially reflexive museum for the profession. This underpinned the publication of the Code of Ethics for Museums which was adopted by the Museums Association in 2002. A radical departure from the object-focus of its predecessor, at the heart of the new Code was the museum's accountability to society.

He has served on a number of national bodies in the cultural sector, including the UK Government's Ministerial Working Group on Human Remains from 2001 to 2004. Trained as a civil mediator, Tristram has been an advocate for and instrumental in the repatriation of human remains to source communities in Australia and New Zealand from Manchester, Brighton and the British Museum. He contributes to the literature on cultural restitution and is currently involved in an academic study of the cross-cultural understanding and friendship that can develop between participants in repatriation.

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