UK government’s acquisition of the Marbles
The assertion by the British Museum on its website that the Parthenon Marbles were legally obtained is unproven and unsafe. The BCRPM therefore states on its own website in the name of balance and objectivity that the legality of the UK government’s acquisition of the Marbles remains entirely unproven.

For 200 years the Greeks have been yearning for the return of their marble sculptures taken by England from the Parthenon.

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The British Committee for the Reunification of the Parthenon Marbles

Find out about the various ways to get involved with the campaign, or simply learn more about the subject.

Leading Quotes
Supportive Views

"The British Museum could become a truly moral, world Museum of the 21st century, recognising that Athens, having built a home for the Parthenon sculptures, is worthy of exhibiting the surviving fragmented pieces in the Acropolis Museum."
- Dame Janet Suzman

"It would be a good thing if the British Museum gave the 2,500-year-old sculptures back to Greece. Even in England the polling is in favour of returning the marbles."
- George Clooney

"Recognising that what you did in the past isn't always the right thing for the present. You can't justify something now with what took place 200 years ago."
- Victoria Hislop

"If Lord Elgin decided he wanted to put those marbles in Edinburgh at the museums they would have been back years ago. I have no reservations about what's happening and how it is wrong. And it is theft. And those Elgin Marbles should go back to Greece."
- Brian Cox

Case for Return

The Parthenon Gallery in the Acropolis Museum, is the one place on earth where it is possible to experience simultaneously the Parthenon and its missing sculptures.

History of Marbles
The History of the Marbles

For 200 years the Greeks have been yearning for the return of their marble sculptures taken by England from the Parthenon.

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The biggest question in the world of art and culture concerns the return of property taken without consent.

Panel Discussion at Kings College London: "Who Owns History?"

Thursday, 6 February 2020 from 18:00 to 20:00, Kings College London, a panel discussion: "Who owns history" with Geoffrey Robertson QC,  plus Professor Edith Hall, Department of Classics, King's College London and Professor John Tasioulas, Director of the Yeoh Tiong Lay Centre for Politics, Philosophy and Law, King's College London, Chaired by Professor Philippa Webb, Dickson Poon School of Law, King's College London

Event was held at:

SW1.18, Somerset House East Wing
The Dickson Poon School of Law, King's College London
Strand
London WC2R 2LS
United Kingdom

The panel featured a discussion of Geoffrey Robertson's recently published book, "Who Owns History? Elgin's Loot and the Case for Returning Plundered Treasure".

The biggest question in the world of art and culture concerns the return of property taken without consent. Throughout history, conquerors or colonial masters have taken artefacts from subjugated peoples, who now want them returned from museums and private collections in Europe and the USA.

The controversy rages on over the Elgin Marbles, and has been given immediacy by figures such as France's President Macron, who says he will order French museums to return hundreds of artworks acquired by force or fraud in Africa, and by British opposition leader Jeremy Corbyn, who has pledged that a Labour government would return the Elgin Marbles to Greece. Elsewhere, there is a debate in Belgium about whether the Africa Museum, newly opened with 120,000 items acquired mainly by armed forces in the Congo, should close.

Although there is an international convention dated 1970 that deals with the restoration of artefacts stolen since that time, there is no agreement on the rules of law or ethics which should govern the fate of objects forcefully or lawlessly acquired in previous centuries.

Who Owns History? delves into the crucial debate over the Elgin Marbles, but also offers a system for the return of cultural property based on human rights law principles that are being developed by the courts. It is not a legal text, but rather an examination of how the past can be experienced by everyone, as well as by the people of the country of origin.

Follow the link to read Professor John Tasioulas' paper in response to Geoffrey Robertson's 'Who Owns History' panel discussion at Kings College London.

collage KCL 06 Feb

 

 


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