cultural mobility

  • Chris Price crop

     

    Chris Price, outstandingly educated among parliamentarians, and at the same time sympathetic and universally liked as a man, has died at the age of 83.   From the moment of the British Committee’s foundation, now over thirty years ago, he was an active member. What made him irreplaceable, both as member and later as Deputy Chair, was his deep understanding of not merely the political, but the constitutional issues that arise in connection with the Parthenon Marbles.

    This enabled him to see through, at best obscurity at worst frustration, between the roles, rights and responsibilities of the government, parliament and the Trustees of the British Museum. More than that, he was personally acquainted with and highly respected by a series of ministers in the Department for Culture, Media and Sport, most of them first elected to Parliament after his own time.   Privately, at least, some of them were ready to acknowledge that, in the endless efforts to hold the ‘official line’, the voice of the British public was effectively being drowned.

    His other great contribution, in later years, was in promoting the idea of ‘cultural mobility’, of free discussion, between cultural institutions, of the cases where cooperation and the acknowledgment of interdependence could take the place of stone-walling, non-communication and downright triumphalism.

    After his first heart attack on New Year’s Day 2010, things were never quite the same again but, thanks in no small degree to his wife Annie’s untiring care, he rallied and participated actively for at least another couple of years. We too shall miss him sorely.

     

    Anthony Snodgrass, Chair, British Committee, 2002-2010

     

    Chris Price NAM

    Anthony Snodgrass, Eleni Cubitt and Chris Price in Athens June 2009 for the opening of the Acropolis Museum

    Chris Price's contribution to the campaign for the reunification of the Parthenon marbles was distinguished. It was also distinctive.  His commitment was grounded in a rare combination of attributes.

    Many classical scholars trace their first engagement with the issue from their education.  Many were fired by early student experience in Greece.  Many have been motivated by moral and cultural considerations.  Many have had the gift of eloquent and persuasive argument by pen or tongue.  Many have devoted long years to the cause.  All this can be said of Chris.  But he was also a politician, not tribal - that was perhaps a drawback - but deeply committed and able in the "art of the possible".  He was one of that cohort of able Labour MPs who lost the opportunity of a distinguished career in government, quite likely with ministerial responsibility, during the Labour Party's long, lost years after 1979. He did however have the opportunity to show what might have been when appointed to Chair the Select Committee on Education,  Science and the Arts, as it was then called. What if he had had the opportunity to serve as Secretary of State with that portfolio?  Might we have seen a response to the issue of the marbles based not only good political sense but also on deep understanding and empathy?  We'll never know, but we certainly lost the opportunity to find out when Chris went into opposition and then lost his seat.  Nevertheless we do have much for which to thank him, we mourn his passing and we offer condolences to Annie and their whole family.

    Eddie O'Hara, Chairman

    Chris Price NAM and Pandermalis

    Chris Price with Professor Pandermalis, Acropolis Museum 2009

    Christopher Price's struggle for the restitution of the Parthenon Marbles was invaluable and will be missed. We offer our condolences to his family at this sad time.

    The Board of Directors of the Melina Mercouri Foundation

    "Chris Price was for many a years a champion of the cause to have the Parthenon Sculptures returned from Britain to Greece. He was a brilliant and passionate man and enriched the lives of all of us who were lucky enough to have known him." David Hill, Chairman, International Association for the Reunification of the Parthenon Sculptures.

    The American Committee for the Reunification of the Parthenon Sculptures extended their deepest sympathies to the family, friends and colleagues of Chris Price.

    Michael Reppas wrote:

    "Chris was a positive force in the campaign and his dedication toward the cause should always be remembered. It was an honor to have worked with him and we are all saddened by his loss."

    Chris with Michael web size

    Chris Price with Michael Reppas, President of ACRPS

    Obituaries in UK newspapers:

    The Guardian

    The Telegraph

    The Independent

    Christopher Price on the sculptures from the Parthenon:

    "The only thing British about them is the fact that one of our ambassadors filched them."
     

     Ambassadors of Hellenism

    Eleni Cubitt, Chris Price and Anthony Snodgrass, Ambassadors of Hellenism

    The Marbles Campaign: Where do we go from here?

    Christopher Price, 31 May, 2010

    Over the past two or three decades, the campaign to re-unite the Parthenon Sculptures in Athens has received global publicity.  It is now important, however, for us to consider how to put the issue in a wider international “cultural mobility” context.

    “Cultural mobility” is become a common phase among those who want to see an atmosphere of cooperation supplant arguments in the past. A recent conference in Ohio put it like this: Globalization is now one of the most common terms to describe how we interact with other countries in the 21st century. Perhaps a better term is “interdependence.” Interdependence helps us understand how we can have shared opportunities to participate and enjoy a genuine sense of belonging. Collaboration and cooperation are becoming the approaches of choice, replacing the pursuit of short-term exchange.   In this context, it is only a period of genuine cooperation between all sorts of institutions – governments, museums and international bodies – that will be able to find solutions.

    A wider, even worldwide, discussion about the appropriate location of cultural objects might help begin a genuine bipartite discussion between the UK and Greece about the integrity of classical sculptures currently in the British Museum.

    It follows that another priority for campaigning organisations and the UK parliament is to make sure that the respective powers and influence of the Trustees of the British Museum, the British government and the British Parliament are balanced in such a way that there can be a public discussion about how to take this issue forward. The British Museum was established by the British Parliament and notby the British Government; the Trustees hold their office in trust for the people of Britain but yet have made little effort to explain to the people the current position and arguments over the location of the marbles. The Government and Parliament have a similar duty. This is particularly important at a time when the Trustees will soon be seeking a new Director for the Museum. The current director, Neil MacGregor, is a superb communicator. If the Marbles issue is to be solved, his successor will need to be a superb negotiator.

    Both the marketing of cultural relics and arguments about their ‘ownership’ are as old as the hills. We now need a new regime of discussions – open to all citizens of the world – which can take the place of insoluble haggling over history, location, ownership and legal status. This will require not so much recourse to national and international courts of law; instead we need a global environment of museums and nations cooperating with one another in which the mobility of cultural objects and agreements about their location and preservation can be discussed without pre-conditions.

     

  • Jonathan Sumption dismisses any questions that might arise about Lord Elgin's legal title to the sculptures removed from the Partheon at the start of the 18th century. His article 'The Elgin Marbles weren’t stolen — Greece is just exploiting our weakness' (thetimes.co.uk) goes on to state:  

    "For most people, however, the issue is moral and cultural, not legal. So be it. What would be morally or culturally admirable about removing the Elgin Marbles from a museum in London to a museum in Athens?

    Cultural artefacts have always moved around the world."

    To read, BCRPM's Chair, Janet Suzman's response to Jonathan Sumption, please follow the link here

    Christopher Price, long servicing Vice -Chair of BCRPM, wrote extensively on the merits of cultural mobility, and yet when it came to the Parthenon Marbles, he would have argued that they deserve, (those that survive), to be seen in the context of the Parthenon. An iconic structure, which not only stands, and has been restored and preserved for all humanity, but one that crowns the Acropolis. The emblem of UNESCO.

    Jonathan Sumption goes on to list fragments of the sculptures from the Parthenon elsewhere: 'Paris, Vienna, Copenhagen' yet forgets to mention those museums that did have fragments, and that have returned them to be reunited in the Parthenon Gallery of the Acropolis Museum. Those frafments include returns from Heidelberg, Palermoand The Vatican

    BCRPM agrees wholeheartedly that the Parthenon Marbles, culturally have a great significance for all humanity, yet is right for the UK and the British Museum to dicate how that cultural patrimony ought to be exhibited and understood, even appreciated by all humanity, especially as the removal of the pieces still in London took place when Greece had no voice?

    Even without the sculptures in Room 18, the British Museum would still retain its status as a universal museum. In fact it would be elevated even further. For it is cultural co-operation in the 21st century that matters to most. Any references to cultural dispute sound so out of step, and look at the reaction at UNESCO's ICPRCP sessions especially towards the UK and in relation to this impasse. Culture matters, and it matters globally. In the case of this very specific request, Greece's ask is wholly justified. BCRPM's founders, with past and present members, stand by this, as do many all over the world.

    Jonathan Sumption goes on to write: "Let no one say that the return of the marbles would set no precedent. The world is watching this dispute.This is a fight that we cannot afford to lose, and certainly cannot afford to concede." And yet again, this is misleading. No mention of the fact that in the British Museum there are 108,184 Greek artefacts, of which only 6,493 are even on display. Or that this is the ONLY request made by Greece since independence, and continues to be the only request made to this day.

    The world is watching but only in astonishment at the UK's lack of that very British sense of fairplay. Dare we add, diplomacy and regard for international relations too? How can we forget PM Sunak's decision not to meet with PM Mitsotakis in November? Will any Greek person, or anyone around the globe, forget that snub? Many however, were in admiration of King Charles' tie, worn at COP28, when he met with PM Sunak. The message? Not all world leaders behave like a Head Boy that's not prepared to do more than cancell a pre-arranged meeting that covered timely topics including the continued division of these specific sculptures. 

    "The Greeks are pressing their claim because they sense weakness. Since it was first formally advanced in 1983, they have skilfully exploited the relentless denigration of Britain’s past.They calculate that modern Britain lacks the self-confidence to defend itself. Are they right? The present negotiations implicitly concede that they may be.

    Rishi Sunak should probably not have rudely cancelled his meeting with the Greek prime minister. But his statement that it should be unthinkable for any responsible British prime minister to contemplate ceding possession of the Elgin Marbles showed a sounder instinct than George Osborne’s." Concludes Jonathan Sumption.

    The first request for the return of the sculptures removed only from the Parthenon, came shortly after Greece gained independence. Jonathan Sumption's reference to 1983 is the plea made by Melina Mercouri at UNESCO and that was the year that BCRPM was founded, nearly 150 years after the first request. Repeated requests made by Greece for these specific sculptures. So many have worked on the ways that would make the reunification work, and continue to provide the British Museum with artefacts not seen outside of Greece. For the last 23 years the offer of 'other artefacts' to be made available to the UK, has been on the table too.

    Many have voiced their concerns at the UK's lack of empathy or understanding. Polls continue to support the reunification, yet few voices, including Jonathan Sumption continue to justify the division of this peerless collecion of sculptures. BCRPM continues to also add: the time has come to do the right thing by the Parthenon, and to add another chapter to the story of these priceless artefacts. Tell the story. 

     

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