Dr Hartwig Fischer Director of the British Museum

  • British Museum’s Parthenon gallery 10-month closure prompts concerns from Greek officials and campaigners

    Βy Yannis Andritsopoulos, London Correspondent for the Greek daily newspaper Ta Nea, 09 October 2021 

     

    Ta Nea 09.10.2021

    To read the original article, follow the link here.

    Six of the British Museum’s Greek galleries, including the museum’s display of the Parthenon Marbles, have been closed for almost ten months, prompting concerns from Greek officials and campaigners that wet and damp could damage the ancient artworks.

    The museum was forced to close on 16 December 2020 when a national Covid-19 lockdown was put in place. It reopened on 17 May 2021, but some of its Greek galleries remained closed due to ‘essential repairs’.

    Ta Nea Greek daily newspaper visited the museum last week and confirmed that a total of six galleries of Greek art have yet to reopen; Rooms 15, 16, 17 and 18 are closed due to "maintenance"; Rooms 19 and 20 are closed to "comply with social distancing measures".

    The Duveen Gallery (Room 18) which houses the Parthenon Sculptures, has been closed since December 2020.

    Its leaky roof has made news many times before.

    In December 2018, the glass roof of Room 18 began leaking after heavy rainfall in London. Witnesses reported seeing water dripping just centimetres away from the west pediment figure of Iris. More recently, leaks were caused by a heavy rainfall on July 25th that flooded central London.

    The Greek government as well as campaigners for the reunification of the Parthenon Marbles have expressed concern about the poor state of the rooms.

    On August 15, the International Association for the Reunification of the Parthenon Sculptures (IARPS), which represents 21 national committees around the world, wrote to the British Museum Chairman Sir Richard Lambert, its Director Dr. Hartwig Fischer and its Trustees. To read the letter, follow the link here.

    A copy of the letter was also sent to Prime Minister Johnson, the newly appointed Chair of the Trustees, George Osborne and the then Secretary of Culture, Oliver Dowden.

    It said that “the planned reopening of the Greek rooms, postponed ‘until further notice’, after months of lockdown, is a deep worry,” adding that the “possible humidity problem (creates) a dangerous condition for the sculptures”.

    It also called on the Museum to "reconsider its viewpoint on the continued division of the Parthenon Sculptures", noting that “there is a moral obligation to return and to reunify all the surviving Parthenon Sculptures in the Acropolis Museum with a direct visual contact to the Parthenon”.

    "It is saddening that Room 18 has been closed ‘until further notice’," IARPS President Dr Christiane Tytgat told Ta Nea, adding that "the inappropriate climate conditions in the room are upsetting".

    "I hope," she said, " that we do not have to wait another 22 years before we can admire the Parthenon Sculptures on display in London again, as it happened before, when the Duveen Gallery was hit by a bomb in 1940 and reopened only in 1962! Even if the Sculptures were then stored in a safe place and undamaged."

    Almost two months later, the Museum has not responded to the letter, which Dr. Tytgat described as "sad."

    Dame Janet Suzman, Chair of the British Committee for the Reunification of the Parthenon Marbles (BCRPM), told Ta Nea: “I would be a happy person if Room 18 were permanently closed because those spectacular sculptures taken by the marauding Lord Elgin deserve to be reunited in the Acropolis Museum. No one can say for certain what remedial work is being done in the Greek galleries of the British Museum or for how long. The lack of climate controls in an old building are self-evident and has been questioned by BCRPM on other occasions: blow-heaters in winter, open exit doors in summer, leaking roof during the rainy season.”

    “We urge the British Museum to stop repeating by rote the same mantra and to reunite those emblematic marble figures in the superlative Acropolis Museum, which has been built to the latest standards and allows visitors to view them in context with the Parthenon,” she added.

    Professor Paul Cartledge, Vice-Chair of the BCRPM and Vice-President of the IARPS, told Ta Nea that he has found “the Trustees' failure to respond at all to the letter deeply disappointing - not at all the way to begin dialogueon this pressing cultural issue in a way fitting of its importance. Dismissing this very specific request is tantamount to not understanding the importance of cultural diplomacy. Time for the British Museum and the UK to join the 21st century, although it would have been good and great if they were to lead the way.”

    Closed ‘until further notice’.

    The website of the British Museum states that the Greek galleries are "closed until further notice", due to "regular maintenance works".

    UNESCO recently expressed “concern that the Duveen Gallery of the British Museum is not currently open to the public due to essential repairs”, adding that it “looks forward to its reopening in due course.”

    In his interview with Ta Nea, in January 2019, the director of the Museum, Dr. Hartwig Fischer, claimed that there was "a tiny leak" (in Room 18’s roof) which was “fixed right away ".

    Lina Mendoni, Greece’s Culture minister has said that the conditions for exhibiting the Parthenon Sculptures at the British Museum “are not only inappropriate, but also dangerous”.

    A British Museum spokesperson told Ta Nea that “there has previously been some water ingress in some gallery spaces closure”, adding that “there is no confirmed date for their reopening, but we are working towards later this autumn.”

    The British Museum’s comment to Ta Nea in full:

    “The Museum is an historic and listed building and there are ongoing infrastructure assessments across the site. We have a team of specialists who make regular checks across the Museum to monitor and ensure appropriate management of risks to the collection. The care of the collection and the safety of our visitors and staff are our utmost priority.

    “The essential works being undertaken are part of a programme of building maintenance and conservation which will help enable future works on the Museum estate. Alongside these essential repairs, we are developing a strategic masterplan to transform the British Museum for the future. It will involve actively renovating our historic buildings and estate, improving our visitor experience and undertaking an ambitious redisplay of the collection in the years to come.

    “Galleries 14 to 18 on the ground floor have been temporarily removed from the public access route. The Museum has undertaken a programme of work within these galleries and the scheduling of this work was delayed due to the impact of the pandemic on the Museum’s programme.

    “Further works and surveys were undertaken this summer and these galleries are currently closed to ensure the safety of our visitors and the collection whilst these surveys are carried out. There has previously been some water ingress in some gallery spaces closure.

    “There is no confirmed date for their reopening, but we are working towards later this autumn.”

    Images below showing the closed door that has been temporaily erected across the entrance of Room 23 of the British Museu's Greek galleries. With a notice explaining that Rooms 12-18 are closed. Some of the galleries are closed for social distancing purposes with others closed for maintenance.

    Closure BM door 09 10 2021Closure of Room 18 BM sign

    Photo credit: Yannis Andritsopoulos, London Correspondent for the Greek daily newspaper Ta Nea, 09.10.2010 

    Dr Tom Flynn's tweet below echoes the thoughts of many millions across the globe that support the reunification of the Parthenon Marbles:

    Tom Flynns tweet 09 October

     

  • Sunday 23 February 2020,  The Sunday Times, Deputy Editor Sarah Baxter, wrote her  modest proposal for the reunification of the Parthenon Marbles, aptly entitled: "The sane move is to give Greece back its Elgin marbles".

    The first 'modet proposal' was written by Christopher Hitchens (pages 104 to 106) in the third edition of  'The Parthenon, The Case for Reunification' published by Versoin May 2008 and launched at Chatham House by the BCRPM. The second was written by Stephen Fry in 2011, you can  read that here too. 

    Sarah Baxter attended the International Conference: 'The Reunification of the Parthenon Sculptures'  in Athens on 15 April 2019 and saw for her self  "the marvellous museum facing the Acropolis that was built 10 years ago to house the marbles — much lighter and more beautiful than the windowless strip devoted to the sculptures that is admired" at the British Museum. She also spoke at the conference which was hosted by the President of  the Hellenic Republic, Prokopios Pavlopoulos.

    In the Sunday Times of the 23rd of February, Sarah Baxter suggestes  the UK had "no need to keep the marbles when it was possible to access the “universal” culture, so prized by the British Museum, by the clever use of technology. As mayor of London in 2016, Johnson had welcomed to Trafalgar Square a 3D replica of the beautiful arch of Palmyra destroyed by Isis in Syria. And, of course, his own trusty bust of Pericles, the “populist” who ordered the construction of most of the Acropolis, is a fake — and none the less inspirational for UK's prime minister."

    Sarah's article can be accessed on line or follow the link here.

    Following on from Sarah's article, the Director of the British Museum, Dr Hartwig Fischer wrote a letter, which was published on 01 March:

    This email address is being protected from spambots. You need JavaScript enabled to view it.
    Sunday March 01 2020, 12.01am, The Sunday Times

    Greeks should be glad we have the marbles

    Sarah Baxter’s column on the Parthenon sculptures asks us to imagine how we would feel if Big Ben had been transplanted to Athens (“The sane move is to give Greece back its marbles”, Comment, last week). This is to ignore the many buildings and artworks that have been reused, reshaped and often moved across borders, such as Duccio’s altarpiece the Maesta, elements of which have been removed from Siena cathedral and are held in museums across Europe and America.


    The Parthenon sculptures are fragments of a lost whole that cannot be put back together. Only about 50% of the original sculptures survive from antiquity. The Parthenon has become a European monument precisely because its sculptures can be seen not only in Athens but in London and other European cities. The public benefit of this distribution and what it means for our shared cultural inheritance is self-evident, and something to celebrate.

    Hartwig Fischer, director, British Museum

    Minister of Culture for Greece, Dr Lina Mendoni also responded by saying that Dr Fischer's letter was as “unfortunate, if not outright unacceptable.” To read one of the article's quoting Dr Mendoni, follow the link here.

    As expected, this was not well received by most not just in the UK but elsewhere too. Yannis Andritsopoulos, London Correspondent for Ta Nea, Greece's daily newspaper, wrote an article  following on from Dr Fischer's letter to the Sunday Times, quoting a number of BCRPM members including Janet Suzman, Alex Benakis,  Dr Peter Thonemann and Professor John Tasioulas. An English version of the Ta Nea article can be read here.

    As Chair of the BCRPM, Janet also submitted a letter to the Sunday Times, which is printed in today's paper, alongside one from Dr Peter Thonemann Professor of ancient history, Wadham College, Oxford  and a member of BCRPM. The online link is here and the texts for both letters are below:

    Behind the Times at the Museum

    Hartwig Fischer, the director of the British Museum and a respected art historian, fails to find a credible parallel for the Parthenon’s dispersed marbles (“Greeks should be glad we have the marbles”, Letters, last week). This is not surprising: there is none.

    Thinking people in London were holding anguished debates on the merits of keeping the marbles 200 years ago. They still are. What has changed is the mood abroad: colonial acquisitions are regarded with an increasingly active disdain.

    The Greeks have waited for the return of the marbles since 1843, with great dignity and patience. After his latest utterance in defence of the indefensible, Fischer should be aware that patience is wearing thin.

    Janet Suzman, chairwoman, British Committee for the Reunification of the Parthenon Marbles

    Hack job
    Since the Parthenon frieze cannot be fully put back together, Fischer thinks that having its sculptures spread around London and other European cities is a “public benefit” and “something to celebrate”.

    My local museum doesn’t have any bits of the Parthenon, and the British Museum has loads. It’s not fair. I wonder if Fischer might be persuaded to hack a few pretty bits off his sculptures and send them our way. If the division between Athens and London is to be celebrated, surely dividing them further would be even more beneficial.
    Peter Thonemann, Professor of ancient history, Wadham College, Oxford (member of BCRPM)

    Read Janet Suzman's letter sent directly to Dr Fischer on Friday by post and by email. 

    Images from left to right: Sarah Baxter Deputy Editor of the Sunday Times, Dr Hartwig Fischer Drirector of the British Museum, Dr Lina Mendoni Greek Minister of Culture and Sport, Dame Janet Suzman BCRPM, Dr Peter Thonemann, Professor of Ancient History, Wadham College, Oxford and BCRPM member

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