Paul Catledge

  • BM Parthenon Gallery

    22 August 2019 during a State visit to France, Greece's Prime Minister Mitsotakis asked President Macron for the loan from the Louvre of a metope.This request was made for Greece's bicentennial independence celebrations in 2021. The Louvre would, in return, receive a collection of bronze artefacts from Greece. 

    Paul Cartledge, professor of Greek Culture at the University of Cambridge and the vice chairman of the British Committee for the Reunification of the Parthenon Marbles and the IARPS (International Association) commented to The Art Newspaper: " We hope for and expect much more: the reunification in the Acropolis Museum of all bits of the Parthenon held in museums outside Greece—not only [the sculptures] from the British Museum. The Greek government will certainly reciprocate most handsomely with spectacular loans, such as those going to the Louvre no doubt will be.”

    To read The Art Newspaper article, please follow the link here.

    On 22 March, Alexander Herman wrote an article also in The Art Newspaper explaining the difficulties that surround recognition and admission of title. If the British Museum were ever to consider a long-term loan of the pieces, Greece would need to first accept that the trustees hold title, an acceptance successive Greek governments have never been willing to make.

    "But title need not be so contentious. Perhaps the Greek government could accept the simple premise that the trustees hold title under English law, but go no further? This would not have to relate to the circumstances of acquisition in Athens. It need only be a recognition that a run-of-the-mill Act of Parliament settled the question of English title back in 1816. Likewise, the British Museum would need to understand that title is a nationally derived right and does not automatically guarantee rights at an international level. This could perhaps allow the parties to put the question of title aside" writes Alexander Herman.

    While a loan might not result in Greece's long awaited permanent restitution, it would bring some pieces back to the Acropolis Museum, where they would be seen by millions in their original context with views to the Parthenon, which still stands. Marking a memorable event and breaking of the deadlock by starting a dialogue between London and Athens.

    Read more on this article here.

    31 August & 01 September Helena Smith reported in the Guardian and Observer that Prime Minister Mitsotakis would be looking for a loan from the British Museum to coincide with Greece's bicentennial independence celebrations in 2021.

    Prime Minister Mitsotakis explained that “given the significance of 2021, I will propose to Boris: ‘As a first move, loan me the sculptures for a certain period of time and I will send you very important artefacts that have never left Greece to be exhibited in the British Museum’.”

    Adding: “Of course our demand for the return of the sculptures remains in place. I don’t think [Britain] should be fighting a losing battle. Eventually this is going to be a losing battle. At the end of the day there is going to be mounting pressure on this issue.”

    There are 21,000 known archaeological sites in Greece,” said the culture minister, Lina Mendoni, a classical archaeologist. “We have 10 times more than we can possibly exhibit. Almost every day something valuable is found. We want to export these cultural assets.”

    Read the updated Guardian (04 September 2019) article here.

     

  • Ian Jenkins (Senior Curator of Antiquities, British Museum) died suddenly last Saturday 28 November 2020.

    We disagreed of course on the proper abode of the 'Elgin Marbles', but he was a very great scholar/connoisseur and a good friend over many years, the last of them blighted by Parkinson's, and I am very sad that he is no longer with us.

    What not many people will know is that he came from what would once have been called a 'humble', that is a working-class, background: his mother, he told me as we were visiting the Greek section of London's West Norwood cemetery together, had been 'in service'.

    He wrote many excellent books and exhibition catalogues, including on the Parthenon sculptures, but my favourite remains......

    vases ian jenkins
    More controversially, he convened and edited the proceedings of a conference devoted to the 'cleaning' of those Parthenon Marbles confined in the B.M.

    ian cleaning

    BCRPM's Honorary President Professor Anthony Snodgrass adds: one big thing in Ian Jenkins favour was the honesty of his speech at the 1998 BM Colloquium on the 'cleaning' (his conduct later on notwithstanding), in which he said:"The cleaning was a scandal, and the cover-up another scandal."

    Several BCRPM members attended the BM's '200 years of the Elgin Collection lecture' on 01 July 2016 and Ian Jenkins then wrote an article in the September /October 2016 British Archaeology Magazine. This article was written to mark 200 years since the British government's decision in June 1816 to purchase LordElgin's collection of Parthenon (and other) Marbles, and which starts off by noting the latest (July 11) Parliamentary bid to have them restored to their native Athens, he provides a most succinct and pointed resume of the current state of play: how they came into Elgin's possession and then the British Museum's custodianship, what they represent, and what pieces of the Parthenon are not in the British Museum (and not in the new Acropolis Museum, either...).

    In April 2018, the Rodin exhibition opened at the BM and Greek journalist Labis Tsirigotakis interviewed Ian Jenkins for ERT, Hellenic Broadcasting Corporation TV. The questions regarding the Parthenon sculptures put to Ian by Labis were firm, and the replies equally so. 

    A recent, revealing interview with him was published in The Society for the Promotion of Hellenic Studies' ARGO magazine.

    Rest in peace.

    ian jenkins collage

    Paul Cartledge

    A.G. Leventis Professor of Greek Culture Emeritus
    University of Cambridge

     

eye of horus .
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