The Parthenon Marbles a case for the Reunification

  •  'What Christopher Hitchens Understood About the Parthenon. The British Museum should return the ancient treasures to Greece for the sake of art, not nationalism.' Writes Ralph Leonard for The Atlantic.

    "Ever since the early 19th century, when Thomas Bruce, seventh earl of Elgin, sawed off and crowbarred many of the carvings that ringed the top of the Parthenon and sold them to the British Museum to dodge bankruptcy, the British have been sharply polarized over whether Britain or Greece has the right to these sculptures. For many liberals and radicals, beginning with Lord Byron, Elgin was a vandal who had committed sacrilege. Yet others maintained that he’d acquired the marbles legally, and even that he’d rescued them from inevitable neglect under the Ottoman empire." Continues Ralph Leonard

    "Christopher Hitchens, among the most eloquent and forceful advocates of rejoining the Parthenon marbles, helped tilt me toward the cause of repatriation. With great timing, Verso Books has just reissued his slim book The Parthenon Marbles: The Case for Reunification." Adds Ralph Leonard.

     

    That para transported a few of us to a May day at Chatham House in 2008, a year and a month before the official opening of the Acropolis Museum. On a personal note, meeting Christopher Hitchens was memorable on so many levels but for now will say that what makes his book special and the third edition in particular, is that it is dedicated to James Cubitt, BCRPM's founder and that at the launch George Bizos also a BCRPM member spoke. Timely to have George in London and his words of wisdom as the preface to that edition was written by Nadine Gordimer, plus George through his South African Committee had raised funds for the book too. 

    Sadly many that gathered at that book launch ae no longer with us and that includes Christopher as well as BCRPM's Hon Secretary Eleni Cubitt, the then Vice-Chair Christopher Priceand the exceptional human rights lawyer George Bizos with historian William St Clair, all pictured above. The two young supporters, Benjamin Godwin (aged 11) and Lucia Mary Bizos (aged 12) pictured at the book launch, in 2016 attended the Commemorative event to mark 200 years from the date in 1816 when the British Parliament voted to purchase from Lord Elgin his collection of sculpted marbles collected from the Parthenon and elsewhere on the Athenian Acropolis. BCRPM held the event at Senate House in June 2016 and both Ben and Lucia were taller by then but they had also read the book, and continue to support the campaign.

    "Hitchens’s dedication to this cause wasn’t merely due to a romantic philhellenism rooted in the classical British-private-school curriculum; his life was intertwined with the Hellenic world. As a young socialist and internationalist in the 1970s, he had written and spoken against the Greek military junta that had persecuted his fellow leftists. The independence of Cyprus was among his precious causes, alongside self-determination for the Kurds and the Palestinians—who had long been victims of occupation and imperialist power games. His first wife was a Greek Cypriot, and, as he noted movingly in his memoir Hitch-22, his mother died by suicide in a hotel room overlooking the Acropolis, amid a 1973 anti-junta student uprising. The cause of the Parthenon marbles was therefore both personal and political, emblematic “of a long and honourable solidarity between British liberals and radicals and the cause of a free and independent Greece,” as he wrote in the introduction to the 2008 edition." Writes Ralph Leonard as adds why Christopher Hitchens made his case for repatriating the works almost exclusively on artistic grounds.

    The then arguments for keeping the Parthenon Marbles slowly fell by the wayside once the Acropolis Museum opened, "proving Greeks are not just worthy, but superb custodians of their antiquity." The only argument that continues to creep in despite restitution taking a more prominent stage in recent years, is the precedent, the slippery slope, the emptying of museums - all  unfounded. There are not enough museums when one considers how many artefacts sit in storage facilities and then you add the continued discovery of more artefacts and wonder why anyone would imagine that any museum should ever be empty! And don't get us started on precedent..... 

    Ralph Leonard also writes about the Benin Bronzes as they deserve to have their place in history and in museums. Scotland's museums and the Horniman Museum have agreed to return their bronzes to Nigeria. Some remaining to be displayed in the Horniman, proving that cultural co-operation still exists. As Ralph Leonard also points out these were "part of a unified work depicting the history and mythology of the kingdom (which was annexed by the British empire in 1897), yet the majority are stand-alone pieces."

    "Whether as a testament to the Athenian enlightenment or Periclean imperialism, the Parthenon is a monument of civilization. For those of us who derive a humanist and democratic ethos from classical Athens, the temple matters greatly. In this sense, the marbles aren’t simply Greek, but belong to all of humanity. The case for reunification has to be made on this cosmopolitan basis. The world deserves to see the story that Phidias intended to tell in whole." Concludes Ralph Leonard.

    To read Ralph Leonard's article in full, follow the link to The Atlantic.

    Ralph Leonard is a British-Nigerian writer on international politics, religion, culture and humanism.

     

  • 15 December 2021, artnet

    BM Parthenon Gallery landscape

    Parthenon Galleries, Room 18 in the Briish Mueum remained closed for 13 months and were reopened this week, on Monday 13 December 2021 

    Dan Hicks' Op-Ed article in artnet says it all. Wednesday 15 December 2021 was the 10th anniversary of Christopher Hitchens' death. For those of you that have supported our Committee for nearly four decades and those of you that have joined us recently, the book that Christopher Hitchens wrote, is one to also read. 

    Dan Hicks article 'The U.K. Has Held Onto the Parthenon Marbles for Centuries—But the Tide Is Turning' in arnet suggests that change may come by 2030. As we circulated this article to our members, Alex M Benakis emailed a swift response: 'oh please can we do better than 2030! I will be 93! Don't know if I can hang on for that long.'

    Dan starts his article by quoting Christopher Hitchens: "those who support the status quo at the British Museum have the great advantage of inertia on their side.” Dan Hicks adds:'Today, things could hardly be more different.' As more museums are considering returing artefacts to their countries of origin. The best example to date are the returns of the Benin Bronzes.

    The third edition Christopher Hitchens book 'The Parthenon Marbles, The Case for Reunification' was launched at Chatham House in May 2008 by BCRPM with George Bizos and Christopher Hitchens travelling to London, a year before the opening of the new Acropolis Museum. It is available from Verso, you can follow the link here.

    'Now that the Benin Bronzes are being returned by an ever-growing number of European and North American institutions, might we finally see the return of the Parthenon Marbles?' Asks Dan Hicks. He believes so and adds: 'today, the longstanding push-and-pull between Athens and London over the legal technicalities of what constitutes rightful ownership and what museum press-officers prefer to euphemistically call acquisition is being reframed.'

    Dan also feels that 'matters came to a head this fall, on September 28, when a resolution about the return of the Marbles came before UNESCO’s Return and Restitution Intergovernmental Committee (ICPRCP). The British rhetoric that the British Museum “is a world museum” sounded tired coming after the elegant claim by professor Nikos Stampolidis, the newly-elected Director-General of the Acropolis Museum, that “the return of the Parthenon Marbles back to Greece is a universal demand.”

    Nikos Stampolidis at AM from To Vima article

    The newly elected Director-General of the Acropolis Museum, Professor Nikos Stampolidis in the Parthenon Gallery, Athens, Greece.

    'The committee’s concluding decision stated that “the obligation to return the Parthenon Sculptures lies squarely” on the U.K. government and expressed “disappointment” with the U.K.’s position. The group called on the nation “to reconsider its stand and proceed to a bonafide dialog with Greece on the matter.”

    This was swiftly followed by Kyriakos Mitsotakis London visit on 16 November 2021 and his eloquent request for reunification made on breakfast TV and at 10 Downing Street, plus the Science Museum. Janet Suzman, BCRPM's Chair wrote: 'Sometimes fairy tales come true: I never thought to see the stunning coverage given to the Parthenon Marbles by two leading right-wing newspapers, The Mail and The Telegraph.' To read her article follow the link here.

    Just last week on 08 December 2021, the United Nations General Assembly unanimously adopted a resolution (supported by 111 countries) introduced by Greece entitled: “Return or restitution of cultural property to the countries of origin”.

    Dan Hicks concludes that 'predictions are always risky, and as an archaeologist I confess that the future is technically not my period of expertise. Nonetheless, in this new cultural, internationalist, and intellectual atmosphere, it’s hard to believe that the Parthenon Marbles won’t have been reunited in Athens by the end of the decade.' To read the full article on arnet, follow the link here.

    Dan Hicks is Professor of Contemporary Archaeology at the University of Oxford. His latest book, The Brutish Museums: the Benin Bronzes, Colonial Violence and Cultural Restitution is now out in paperback. Twitter: @ProfDanHicks

     

  • On Sunday a flurry of reports from Reuters, and other media outlets to highlight the possibility of an agreement bewteen Greece and UK that could sidestep the need to amend the UK's British Museum Act 1963, in order to facilitate the reunification of the Parthenon Marbles.

    On Monday, UK's Prime Minister Rishi Sunak, stated in the Guardian that as the British Museum collection is funded by taxpayers and protected by law, the portion of the Parthenon Marbles in Bloomsbury, would remain in the UK.

    Read the full article by Aubrey Allegretti in the Guardian.

    “The UK has cared for the Elgin marbles for generations,” Sunak said. “Our galleries and museums are funded by taxpayers because they are a huge asset to this country."

    A UK factoid: what about the way in which the sculptures that Lord Elgin's men deployed to remove the  best pieces, destined to decorate his ancestral home, or the  cleaning in 1938-1939?

    We share their treasures with the world, and the world comes to the UK to see them. The collection of the British Museum is protected by law, and we have no plans to change it.”

    Sharing Greece's treasures is not the issue, as there are over 100,000 Greek artefacts in the British Museum. The Parthenon Marbles are specific sculptures, fragmented, and  the pieces that survive are mainly divided between Athens and London.

    Greece has always, and only asked for the reunification of the sculptures from the Parthenon. Greece has also offered other Greek artefacts not seen outside of Greece for the British Museum's Room 18.

    This story was also reported in Reuters, ARTnews,the Evening Standard, the Greek Reporter and many more.

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