Jonathan Sumption dismisses any questions that might arise about Lord Elgin's legal title to the sculptures removed from the Partheon at the start of the 18th century. His article 'The Elgin Marbles weren’t stolen — Greece is just exploiting our weakness' (thetimes.co.uk) goes on to state:  

"For most people, however, the issue is moral and cultural, not legal. So be it. What would be morally or culturally admirable about removing the Elgin Marbles from a museum in London to a museum in Athens?

Cultural artefacts have always moved around the world."

To read, BCRPM's Chair, Janet Suzman's response to Jonathan Sumption, please follow the link here. 

Christopher Price, long servicing Vice -Chair of BCRPM, wrote extensively on the merits of cultural mobility, and yet when it came to the Parthenon Marbles, he would have argued that they deserve, (those that survive), to be seen in the context of the Parthenon. An iconic structure, which not only stands, and has been restored and preserved for all humanity, but one that crowns the Acropolis. The emblem of UNESCO.

Jonathan Sumption goes on to list fragments of the sculptures from the Parthenon elsewhere: 'Paris, Vienna, Copenhagen' yet forgets to mention those museums that did have fragments, and that have returned them to be reunited in the Parthenon Gallery of the Acropolis Museum. Those frafments include returns from Heidelberg, Palermoand The Vatican. 

BCRPM agrees wholeheartedly that the Parthenon Marbles, culturally have a great significance for all humanity, yet is right for the UK and the British Museum to dicate how that cultural patrimony ought to be exhibited and understood, even appreciated by all humanity, especially as the removal of the pieces still in London took place when Greece had no voice?

Even without the sculptures in Room 18, the British Museum would still retain its status as a universal museum. In fact it would be elevated even further. For it is cultural co-operation in the 21st century that matters to most. Any references to cultural dispute sound so out of step, and look at the reaction at UNESCO's ICPRCP sessions especially towards the UK and in relation to this impasse. Culture matters, and it matters globally. In the case of this very specific request, Greece's ask is wholly justified. BCRPM's founders, with past and present members, stand by this, as do many all over the world.

Jonathan Sumption goes on to write: "Let no one say that the return of the marbles would set no precedent. The world is watching this dispute.This is a fight that we cannot afford to lose, and certainly cannot afford to concede." And yet again, this is misleading. No mention of the fact that in the British Museum there are 108,184 Greek artefacts, of which only 6,493 are even on display. Or that this is the ONLY request made by Greece since independence, and continues to be the only request made to this day.

The world is watching but only in astonishment at the UK's lack of that very British sense of fairplay. Dare we add, diplomacy and regard for international relations too? How can we forget PM Sunak's decision not to meet with PM Mitsotakis in November? Will any Greek person, or anyone around the globe, forget that snub? Many however, were in admiration of King Charles' tie, worn at COP28, when he met with PM Sunak. The message? Not all world leaders behave like a Head Boy that's not prepared to do more than cancell a pre-arranged meeting that covered timely topics including the continued division of these specific sculptures. 

"The Greeks are pressing their claim because they sense weakness. Since it was first formally advanced in 1983, they have skilfully exploited the relentless denigration of Britain’s past.They calculate that modern Britain lacks the self-confidence to defend itself. Are they right? The present negotiations implicitly concede that they may be.

Rishi Sunak should probably not have rudely cancelled his meeting with the Greek prime minister. But his statement that it should be unthinkable for any responsible British prime minister to contemplate ceding possession of the Elgin Marbles showed a sounder instinct than George Osborne’s." Concludes Jonathan Sumption.

The first request for the return of the sculptures removed only from the Parthenon, came shortly after Greece gained independence. Jonathan Sumption's reference to 1983 is the plea made by Melina Mercouri at UNESCO and that was the year that BCRPM was founded, nearly 150 years after the first request. Repeated requests made by Greece for these specific sculptures. So many have worked on the ways that would make the reunification work, and continue to provide the British Museum with artefacts not seen outside of Greece. For the last 23 years the offer of 'other artefacts' to be made available to the UK, has been on the table too.

Many have voiced their concerns at the UK's lack of empathy or understanding. Polls continue to support the reunification, yet few voices, including Jonathan Sumption continue to justify the division of this peerless collecion of sculptures. BCRPM continues to also add: the time has come to do the right thing by the Parthenon, and to add another chapter to the story of these priceless artefacts. Tell the story. 

Professor Paul Cartledge's  letter to the Times, was published on Saturday 01 December.

Sir

It is good to know that Louis de Bernières (letter, Nov 30) is a philhellene, but his assertion that Lord Elgin took the marbles with Ottoman permission is doubly untrue. There is no verifiable documentary evidence to support the claim that what Elgin did was officially authorised nor did he merely take what he had removed and sold to the British government. Your headline 'Surrendering the Elgin Marbles to Athens' is also unfortunate: this is not a matter of war but diplomacy, and the only Marbles in question are those removed from the Parthenon, not the entirety of the Elgin collection of marble sculptures now in the BM.

Paul Cartledge
(Vice-Chair, British Committee for the Reunification of the Parthenon Marbles)

And on Sunday with Michael Portillo, fast forwad to 1:07:30 to catch the discussion on the Oarthenon Marbles. Paul wore a Thalassa tie, the same creators of the tie worn by King Charles III at COP28. Paul's tie isn't woven with the motif of the Greek flag but has the letters of the Greek alphabet. 

Earlier in the week Paul also spoke on NTD, a New York-based, global television network as well as Ta Nea: "Britain is isolated on the issue of the Parthenon Marbles. Greece's request for reunification will remain on the table, as it has been for more than four decades since it was submitted to UNESCO. We will continue our campaign and urge Greece to continue to ask the trustees of the British Museum to do what is right: return the sculptures, but not as loans, to their natural environment, the Acropolis Museum."

British Museum interim Director, Sir Mark Jones interviewed two weeks ago in The Times, explaining how he has dealt with the consequences of the British Museum thefts. He set a target of five years for the BM’s complete collection, eight million objects, to be catalogued online, each with an image. With 60% of the BM's objects already digitalised, this target will be met.

Ten of the recovered stolen items are to be featured in a new BM exhibition called 'Rediscovering Gems', which opens on Thursday, 15 February 2024. 

From theft of artefacts to the call for the British Museum to give back some of the contested items in its collection.

“It’s true that I find the legal situation of contested objects, and the historical justification for retaining them, much less interesting than consideration of their current and future benefits,” Jones says. "What we should really be thinking about is where these objects are going to create the most interest, where they are best going to engage people.”

We certainly concurr with that last sentence. The Parthenon Gallery in the Acropolis Museum is the one place on earth where it is possible to have a single and aesthetic experience simultaneously of the Parthenon and its sculptures. 

Read the full interview with Sir Mark Jones in the The Times.

Gareth Harris from The Art Newspaper also wrote quoting Sir Jones' response in The Times  with his reply to the question of if he were "still the BM’s director in a couple of years’ time, could he envisage supervising an arrangement to return the Elgin [Parthenon] Marbles to Greece?”

“Yes,” Jones said. “I could easily imagine a relationship between us and the Acropolis Museum [in Athens] that included mutual loans. Why not? They have some rather fabulous objects as well.”

Greece has been offering to loan antiquities to the British Museum in return for the reunification of the sculptures in Athens, for over 24 years.