2022 News

The British Museum needs to show that it evolves, that it heeds to the considerations and demands of the universal community it claims to address, and that it shakes off the burdens and unsettled issues of the past. Certainly, the return and restoration of the unity of the Parthenon Sculptures is the greatest and gravest of these outstanding issues of historical, cultural, scientific, aesthetic, political and moral character.

Greek Minister of Culture and Sport , Dr Mendoni

Greece's Minister of Culture and Sports, Dr. Lina Mendoni addressed the student community of Cardozo School of Law in New York on 28 April 2022.  The event was entitled “The Parthenon Marbles Case and the Universal Museum Myth: Policies and Politics” and organised by Professor David Rudenstine, the Cardozo Arts & Entertainment Law Journal, the Benjamin B. Ferencz Human Rights and Atrocity Prevention Clinic, and the Fame Center. 

Dr Mendoni presented the views of the Greek Government on the issue of the Parthenon Sculptures and described this as "an issue with scientific, legal, political and ethical aspects and important international implications, which unfortunately still remains unresolved."

You can read Minister Mendoni's full speech in Greek or in English.

Lord Elgin's actions were revisited: "the Greek authorities and the international  community have demonstrated with unshakable arguments the true events surrounding the removal of the Parthenon Sculptures by Lord Elgin some 200 years ago. Motivated by self-interest, opportunism and the prospects of profit, publicity and fame, Elgin used illicit and inequitable means – bribery, diplomatic pressure and false allegations – to seize and export from Greece, without real legal permission to do so, the Parthenon Sculptures and a host of other Greek antiquities, in a blatant act of serial theft. This theft, moreover, was aggravated by unprecedented vandalism, which caused ascertained immense damage to and destruction of the monuments, beyond the injury to their physical, conceptual and aesthetic integrity. Thereafter, acting as a true illicit antiquities dealer, Elgin sold the Sculptures to the British Museum through the British Government, which knowingly received the looted goods, ignoring the ensuing scandal in British and international public opinion, the direct denouncements and intense protests by eminent personalities of the time from all over Europe."

Dr Mendoni stresses the different efforts made by Greece beginning in the 19th century after Greece gained her independence. These efforts continued and will never stop. Dr Mendoni added: "Greece’s claim for the return and reunification of the Parthenon Sculptures rests on irrefutable historical, scientific, legal and moral foundations. Additionally, it has a broader cultural and ecumenical dimension." And continued to add that the Parthenon as "a monument registered on UNESCO’s World Heritage List, and in fact the one universally accepted as all-important and emblematic. The Parthenon, apart from being a creation of unique artistic significance and value, is recognized as a symbol of the very founding principles and values of European and Western Civilization per se, as well as of the global community of citizens represented by the United Nations."

A reminder of Greece's efforts with UNESCO to further urge the UK to consider the case of the sculptures during the 2021 ICPRCP session, when the decision concluded that this case is intergovernmental and that the British Government, ought to reconsider its position and enter into a bona fide dialogue with Greece regarding "its legal and fair demand". Expressed also was the "deep concern that the issue remains pending and frustration because its related previous recommendations have not yet been observed." Then just months later, in December 2021, the UN General Assembly unanimously adopted a resolution (supported by 111 countries) introduced by Greece and entitled: “Return or restitution of cultural property to the countries of origin”. 

Dr Mendoni spoke about the aims of the British Museum to be recognised as a 'universal museum' and questioned this by adding: "The British Museum needs to show that it evolves, that it heeds to the considerations and demands of the universal community it claims to address, and that it shakes off the burdens and unsettled issues of the past. Certainly, the return and restoration of the unity of the Parthenon Sculptures is the greatest and gravest of these outstanding issues of historical, cultural, scientific, aesthetic, political and moral character."

"The Hellenic State constantly affirms its sincere intent to creatively support and cooperate with the British Museum, as it has already done with other museums. To avert creating a void in the Museum’s collections and exhibition program as a result of the return of the Parthenon Sculptures, Greece has offered in return recurrent temporary exhibitions and loans of prestigious antiquities and objects of high artistic and historical value that will keep the interest of the public high and renew its enthusiasm." Also added Minister Mendoni, an offer from Greece that is not new but continues to be made with generosity and good will. 

 


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It's time for the matter to be resolved. We are not talking about just any work of art far from its 'place of origin', but of 'part of an architectural monument that is a symbol of global culture'. An act of the English parliament could facilitate the return the friezes to Athens.

Nikos Stampolidis, General Director of the Acropolis Museum

 

Acropolis Museum director, Nikos Stampolidis, called for an end to the division of the sculptures from the Parthenon. Greece requests have been on going since the the 19th century and after independence. The Acropolis Museum is the closest that all visitors can get to the Parthenon and this peerless collection of sculptures.

"It's time for the matter to be resolved," Nikos Stampolidis told AFP in an interview.

"We are not talking about just any work of art far from its place of origin", but of "part of an architectural monument that is a symbol of global culture", stated Stampolidis.

"An act of the English parliament could facilitate the return the friezes to Athens," Stampolidis added.

You can watch the ERT news interview on You Tube, with English subtitles.

The Acropolis Museum is "the one place on earth where you can properly admire the marbles in context, as you stand in front of 2,500 years of history and look across the panoramic vista towards the temple above," Prime Minister Kyriakos Mitsotakis wrote in the Daily Mail in November.

In January, the Times, also wrote: "Time and circumstances are changing. The sculptures belong in Athens. They must now return there." 


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By addressing past wrongs, we believe these returns will, in a small way, help these descendant communities to heal some of the wounds represented by the wrongful removal of their cultural artefacts, and lead to the development of positive and constructive relationships between Glasgow and communities around the world.

Duncan Dornan, the head of museums and collections at Glasgow Life

Glasgow to return looted items to India, Nigeria and representatives of massacred Lakota people in South Dakota, USA heralding the largest-ever repatriation of cultural artefacts. Rebecca Atkinson writes in the Museum's Association that Glasgow City Council has voted to return a number of cultural artefacts from its museum collections.

This includes the repatriation of seven Indian antiquities, in a move which is the first of its kind from a UK museum. Six of the artefacts were stolen from Hindu temples and shrines during the 19th century, while the seventh was illegally purchased, sold and smuggled out of India. All seven items were subsequently gifted to the city’s museum collection.

The council has also agreed to return 17 bronze Benin artefacts to Nigeria, having established that the objects were taken from ancestral altars at the Royal Court of Benin during the British Punitive Expedition of 1897.

As well as the repatriation of 25 Lakota cultural items that were sold and donated to the city’s museum collection by George Crager in 1892. Some of these items were taken from the Wounded Knee Massacre site following the battle in December 1890, some were personal items belonging to named ancestors, and the remainder are ceremonial items, all of which represent the belief, history and values of the Oceti Sakowin.

“The return of these objects from Glasgow Life Museums’ collection to their rightful owners represents the largest-ever repatriation of cultural artefacts from a Scottish museum and is a significant moment for our city – specifically, the repatriation of seven Indian antiquities is the first of its kind to India from a UK museum,” said Duncan Dornan, the head of museums and collections at Glasgow Life.

“By addressing past wrongs, we believe these returns will, in a small way, help these descendant communities to heal some of the wounds represented by the wrongful removal of their cultural artefacts, and lead to the development of positive and constructive relationships between Glasgow and communities around the world.”

 


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The IDA had been denied permission to carry out the scans, with the British Museum said to be wary that the creation of precise replicas could make it impossible to argue that the originals should be retained in London.

The Times, Monday 28 March 2022

Nearly two weeks since Yannis Andritsopoulos wrote in Ta Nea that the Institute of Digital Archaeology would appeal against the British Museum's refusal to allow access to the Parthenon Sculptures to be scanned, the coverage on this topic continues.

A follow up article in Ta Nea and the Times on Monday 28 March. The Times headline: British Museum accused of ‘gross distortion’ by Elgin Marbles scanner further fuels the notion that the British Museum is worried what the outcome of such perfect replicas might do to their ongoing refusal to consider Greece's request for reunification of the surviving sculptures in the Acropolis Museum.

'The IDA had been denied permission to carry out the scans, with the British Museum said to be wary that the creation of precise replicas could make it impossible to argue that the originals should be retained in London' writes Billy Kenber in The Times.' The IDA team said it had spoken to security guards about what they were doing as they carried out scans and staff had been “helpful and encouraging”.'

These articles were closely followed by Helena Smith in the Guardian on Tuesday, 29 March alongside ARTNews.

Tessa Solomon writes in ARTNews:

'3D imaging has become an important tool for resurrecting lost cultural treasures, and the IDA hopes it can even help settle the bitter custody battle between Greece and the U.K.

Citing the British Museum’s own guidelines authorizing certain 3D scanning of its collection, members of the IDA entered the galleries and took images of most of the marbles. However, several pieces will need a ladder to be reached.

In a precedent-setting case, Germany returned 1,000 objects known as the Benin Bronzes determined to have been looted from Nigeria.

Last October, a UNESCO advisory board urged the British Museum to reconsider its position on the Parthenon Marbles. The British government rejected the recommendation and insisted that the British Museum was the best steward of the sculptures.

This stance was complicated, however, following reports that heavy rainfall in London caused water to leak into the British Museum’s Greek galleries. In a statement, the British Museum said that none of the sculptures had been damaged.

Successive Greek governments have campaigned for their return, citing that they were pulled from the monumental frieze during the Ottoman occupation of Greece, when the latter nation had no sovereignty over its cultural property.'

The request by Greece continues, with the most recent by Prime Minister Mitsotakis visiting London mid November last year to ask Prime Minister Johnson to consider a way forward with regards to the reunification of the Parthenon Marbles.  


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The Acropolis Museum welcomes spring

The Acropolis Museum welcomes visitors during the summer season, with extended opening hours (Monday 8am-4pm, Tuesday to Sunday 8am-8pm, Friday 8am-10pm), beautiful night views of the Acropolis from the restaurant terrace every Friday and every Saturday until midnight, and new  presentations in the Museum’s archaeological excavation.

‘Walking in the ancient neighbourhood of the Acropolis Museum’

Visitors are guided by the Museum’s archaeologists and given the opportunity to wander through the archaeological excavation which stretches underneath the Museum, like a giant outdoor exhibit. They will be able to walk on the ancient neighbourhood’s streets, take a closer look at the houses with their courtyards and wells, enter the heart of the impressive mansions with the private baths, examine the workshops with the water reservoirs, take a magical stroll through time and the daily life of the people who lived in the shadow of the Acropolis’ rock for over 4,500 years.

English: every Saturday & Monday, at 11 a.m.
Greek: every Saturday & Monday, at 1 p.m.
Duration: 45 minutes

Participation: For registration, please refer to the Information Desk at the Museum entrance on the same day. Limited to 20 visitors per session. First-in first-served. 

The adult gallery talks ‘Afternoons in the Acropolis Museum’ and ‘Saturday in the Museum with 20+1 masterpieces’ continue as usual. More information: www.theacropolismuseum.gr/en/gallery-talks  


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Do the decent thing, British Museum Trustees! And soon.

Professor Paul Cartledge

Jack Blackburn, The Times: 'The [British] museum is said to be wary of highly accurate copies. Some fear it could make the argument about returning the sculptures unanswerable'.

It is ALREADY unanswerable! Do the decent thing, British Museum Trustees! And soon.

Professor Paul Cartledge, Vice-Chair of BCRPM

 We would love to have your views too, send us an email This email address is being protected from spambots. You need JavaScript enabled to view it.

 

 


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MORALITY HAS CHANGED. WE FEEL DIFFERENTLY NOW ABOUT CULTURAL HERITAGE.

Dr Jenifer Neils

Dr Jenifer Neils, Director of The American School of Classical Studies at Athens (ASCSA) - the largest US overseas research centre, a consortium of 200 North American colleges and universities, says that the return of the Parthenon Marbles to Athens - their proper home - would not open the floodgates as the Marbles are unique. 

To read more on Dr Jenifer Neils, follow the link here.


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