Parthenon Marbles

  • In TA NEA today, an article by Yannis Andritsopoulos, UK corresondent.

    Below quote from two exceptional supporters in the UK House of Lords, exceptional because of their support for our campaign too.

    “I believe Rishi Sunak's decision to cancel the meeting with the Greek PM was shocking and discourteous. It was embarrassing for the UK to be behaving like a small child,” Alf Dubs, the veteran Labour peer, said.

    He added: “I hope we can repair UK relations with Greece, maybe we'll need a Labour government to do that. I believe the Marbles should be returned, maybe on a long-term loan if necessary.”

    "The adolescent petulance of cancelling the Greek premier is unworthy of any aspiring statesman. Contrast Mr Sunak’s cringe-worthy job interview with Elon Musk and our Prime Minister’s leadership looks even more erratic,” said Shami Chakrabarti, the Labour peer and former shadow attorney general for England and Wales.

    “One minute he hosts international summits on Advanced Intelligence; the next he spurns so-called foreign courts in both London and Strasbourg over his treatment of refugees. Basic intelligence suggests Britain needs friends not enemies. We need cultural exchange not culture war,” added Baroness Shami Chakrabarti, who is a member of the British Committee for the Reunification of the Parthenon Marbles (BCRPM).

    “A Labour Government should strive to reunite the Parthenon Sculptures in their beautiful Athenian home,” she said.

    The British Committee for the Reunification of the Parthenon Marbles are grateful to both Alf and Shami for their continued support to this cause, and our campaigning.

  • Professor Louis Godart speaking with Dimitra Papanou


    "Greek Prime Minister Kyriakos Mitsotakis in his interview with BBBC News commenting on the havoc caused by Elgin's theft of the Parthenon Marbles and the constant refusal of the British authorities and the British Museum to return Phidias' sculptures to Greece, used a beautiful image: he said it would be as if the Mona Lisa were torn into two pieces. Therefore, it is necessary to reconstruct what existed before the dismemberment of the temple of the goddess.

    I would like to add a suggestion in Mitsotakis' speech: the Mona Lisa is the work of a Renaissance genius, while Phidias' sculptures are masterpieces belonging to the people who invented democracy. In this regard, they are worth much more in the eyes of the world than any other masterpiece produced by people's art.

    The British Prime Minister wanted to cancel the meeting with his Greek counterpart for one simple reason, in my humble opinion: he is ashamed and continues to argue before world civilisation that Britain does not intend to return the ill-gotten gains. Mr Sunak, knowing full well that he is wrong, behaves like a vulgar recipient of despicable theft and prefers to get away with those who, like Mitsotakis, demand the return of an asset belonging to Greece for their country. This attitude is unworthy of the Prime Minister of a large country like England.

    In 1940 its pilots RAF saved the world in a crucial battle, defeating Nazi planes. Today, however, England does not seem worthy of its past.

    May the cries of protest from all over the world open her ears."

     

    Professor Louis Godart, is the former Professor of Aegean Civilization in the Faculty of Letters at the University of Naples Federico II. From February 2002 to 2016 he has been the Counsellor for Artistic Heritage of the President of the Italian Republic. Now he is Counsellor of the Minister of European Affairs.He is also the Chair of the Italian Committee for the Reunification of the Parthenon Marbles, and past President of the International Association for the Reunification of the Parthenon Sculptures. 

  • An Australian woman who wrote to Queen Elizabeth requesting her to help return the Parthenon Marbles to Greece has received a reply from Buckingham Palace.

    In the letter, obtained by Ta Nea, Greece’s daily newspaper, a palace official said that the Queen had taken “careful note” of the request to return the 2,500-year-old sculptures that Lord Elgin removed from the Acropolis temple.

    Mary Drost OAM of Melbourne wrote to Queen Elizabeth on August 1, 2019, asking her to facilitate the return of the Parthenon Marbles to Athens “where they belong.”

    “Your Majesty, I speak for the Greek community in Melbourne Australia. They appeal to you to arrange to return the Elgin Marbles to Greece where they belong. The Duke of Edinburgh, I am sure, would agree,” the letter reads.

    The reply, written by a palace official, said: “Dear Mrs Drost, The Queen has asked me to thank you for your letter from which Her Majesty has taken careful note of the views you express regarding the Elgin Marbles.”
    “I must explain, however, that as a constitutional Sovereign, The Queen acts on the advice of her Ministers and remains strictly non-political at all times. This is, therefore, not a matter in which Her Majesty would intervene,” the official added.

    The letter, sent on August 21, 2019, was signed by Miss Jennie Vine, MVO, Deputy Correspondence Coordinator at the palace.

    Mrs Drost, who has received the Order of Australia Medal, also sent a letter to the UK Prime Minister Boris Johnson asking him to facilitate the return of the Marbles.

    “Dear Prime Minister, I speak for the Greek Community of Melbourne Australia and urgently request that you arrange for the Elgin Marbles that are now in the British Museum be returned to Greece where they belong,” the letter, sent on August 9, reads.

    “This issue causes great anger among those of Greek origin. The Marbles should never have been taken, people say they were stolen. It would certainly put your name up high if you undertook to send them back, in fact take them back yourself. Think of the wonderful publicity you would get worldwide. Please give this serious consideration”.

    Mr Johnson has yet to reply.

    Asked what made her send these letters, Mrs Drost told Ta Nea: “I feel for the Greeks and their desire to see the carvings back where they belong, so I decided to write to the Queen and the Prime Minister as they are the two most important people in the UK. I felt sure the Queen would be interested, as her husband has Greek roots”.

    Mrs Drost visited the British Museum twice this August. “When I was in the museum talking to the guard, he told me that the Duke of Edinburgh had come to see the marbles and commented that they were really like an Ambassador for Greece.”

    “I really don’t know what the Duke meant, but I guess ambassadors do eventually go home, don’t they?” said Mrs Drost, adding that the guard also told her that “he thought it might be just the sort of thing Prime Minister Boris Johnson might enjoy doing.”

    When asked to comment on Queen Elizabeth’s response, Mrs Drost said: “The Queen of course could not do anything, it is not in her power, but the letter showed that she was certainly interested, as I am sure her husband is.”

    Mrs Drost lives in Australia where she is “dedicated to protecting Melbourne from inappropriate and excessive development, serving as Convenor of Planning Backlash Inc, a coalition of 300 resident groups across city coast and country.”

    She has several Greek friends who have alerted her to the Parthenon Marbles reunification request. “Melbourne is a city that has a large Greek community. Years ago there was a joke saying that Melbourne was the largest Greek city in the world after Athens. So of course I heard about the Parthenon Marbles or the ‘Elgin Marbles’ as they are known, as it was Lord Elgin who ‘stole’ them and brought them to London,” she said.

    “I go each year to Europe and of course have been in Athens and heard the mourning over the loss of so much of the ancient carvings that were taken to London.”

    While in London, Mrs Drost met with Marlen Taffarello Godwin of the British Committee for the Reunification of the Parthenon Marbles. “We discussed setting up a big protest in the museum next year, demanding that the collection be returned to Athens,” she said.

    This article was written by Yannis Andritsopoulos, London Correspondent for Ta Nea, Greece's daily newspaper, and published on 12 October 2019. 

     

    mary drost in ta nea

    Mqary Drost BM

    Mary Drost visiting the BM in the summer of 2019, on 21 August with BCRPM member, Marlen Godwin

     

     

     

  • Today, 18 October 2020, is an extra special day as it marks the 100th birthday of a visionary actress, activist, campaigner and Minister of Culture for Greece, Melina Mercouri. And although she passed away in 1994, the iconic Melina inspired the world, so much so that Greece's Ministry of Culture declared 2020 as the Melina Mercouri year. To this day we continue to reflect on her tireless campaign to reunite the Parthenon Marbles with special thanks and gratitude to Victoria Solomonidis.

    Eddie OHara with Victoria Solomonidis in HOP SMALL

    Victoria Solomonidis pictured here in the Houses of Parliament with the late Eddie O'Hara

    From 1995 until her retirement in 2015, Victoria Solomonidis was a Greek Ministry of Foreign Affairs’ Specialist Consultant on Cultural Affairs, with the rank of Minister Counsellor, serving at the Greek Embassy in London.  The issue of the Parthenon Sculptures was high on her agenda: she worked in close association with the British Committee for the Reunification of the Parthenon Sculptures from its inception in 1983 and actively promoted in the UK all aspects connected with the design, building and completion of the New Acropolis Museum. In 2015 she joined the Governing Body of the Melina Mercouri Foundation

    Victoria agreed in 2016 at the request of our then Chair Eddie O'Hara, to present Melina Mrcouri and the campaign for the reunification of the surviving sculptures from the Parthenon, the 200 Commemorative Event held at Senate House.

    The presentation had the audience glued to Victoria's words. The final slide was a short clip, a video, which we have added across all our social media platforms: facebook, twitter and Instagram. Do watch it here too. Melina's words are as pertinent today as they were then, the campaign will go on until the day that the sculptures currently in the British Museum are reunited with their surviving halves in the Acropolis Museum.  

    Melina and Eleni at BM April 12 1984 web site

    Photo from the archives of Victoria Solomonidis. From left to right: Melina Mercouri (Minister of Culture for Greece), Eleni Cubitt (founder of BCRPM), Graham Binns (the then Chair of BCRPM) in the British Museum's Duveen Gallery June 1986

    In 1986 Melina made her memorable speech at Oxford Union, when PM Boris Johnson was then President of the Oxford Union. Melina's speech concluded with these timeless words: “We say to the British government: you have kept those sculptures for almost two centuries. You have cared for them as well as you could, for which we thank you. But now in the name of fairness and morality, please give them back. I sincerely believe that such a gesture from Great Britain would ever honour your name.”

    boris and melina

    Melina Mercouri, the then Minister of Culture for Greece in conversation with Boris Johnson the then President of the Oxford Union, 1986.

    Melina Mercouri sadly passed away in 1994 and did not have the chance to see the superlative Acropolis Museum. Nor marvel at the superb display of the peerless sculptures from the Parthenon in the Parthenon Gallery or the uninterrupted views to the Acropolis and the Parthenon.

    Janet Suzman's obsevations on  the campaign in February 2019 included the article  published by Yannis Andristsopoulos in Greek on Saturday 09 February 2019, in Ta Nea, Greece's daily newspaper. It was also re-printed in Parikiaki, a Greek Cypriot London community paper. At the start of this article Janet mentions Melina's impact:

    "Melina Mercouri came whirling into Britain many years ago like a mighty wind, to stir up the clouds of dead leaves that often litter the venerable institutions of this land. She demanded the return of the marbles. She is long gone, but the wind still blows, sometimes stronger, sometimes just a breeze to disturb the quiet. Those winds have started up again." To read  Janet Suzman's statement in its entirety, please follow the link here.

    melina and janet

     

    "Melina was an actress, I am an actress; that probably means we are basically open-minded. Acting requires you to be non-judgemental about a character and thus to depict its point of view, often very far from your own in real life, as truthfully as possible. I am no scholar, no academic. My position on the BCRPM Committee is one of a perfectly ordinary museum visitor and as such I can see so clearly that the marbles are in the wrong room. They need the sweet Attic sunlight shining on them and a blue sky beyond; they ask to be re-connected to their other half in the New Acropolis Museum where a space for them awaits. They need to be seen in sight of the Parthenon itself, which still astonishingly stands, in full view of that space, so that I, the visitor could turn my head and exclaim “Now I see - that’s where they came from!” No more gloomy light, no more orphaned statuary. They need to be re-joined to their other pedimental half which sits in this fine museum so that I, the visitor, can understand the whole silent conversation between them." Janet Suzman, 2020

    With thanks also to Viola Nilsson from SverigeSRadio for her time to interview BCRPM and the Swedish Committee on Melina Mercouri, you can hear the programme 'Stil' dedicated to Melina by following the link here.

    melina in sweden

     Melina Mercouri – Greece's brightest star and greatest ambassador..... Actress and politician Melina Mercouri put Greece on a whole new map through her passionate commitment to both culture and politics. This year, 2020, she would have turned 100.

     

  • BM Parthenon Gallery landscape

    British Prime Minister Boris Johnson, gave his first interview with a European newspaper since becoming the UK’s Prime Minister. In his response to the question of the reunification of the Parthenon Marbles, he told Yannis Andritsopoulos, UK Correspondent for the Greek newspaper Ta Nea that the sculptures held in the British Museum would remain in Britain because they had been legally acquired.

    “I understand the strong feelings of the Greek people – and indeed Prime Minister Mitsotakis – on the issue. But the UK government has a firm longstanding position on the sculptures, which is that they were legally acquired by Lord Elgin under the appropriate laws of the time and have been legally owned by the British Museum’s trustees since their acquisition.”, Mr. Johnson said.

    Greece's Minister of Culture and Sport, Dr Lina Mendoni issued a statement on the same day to counter Prime Minister Johnson's stand on the issue of the Parthenon Sculptures.

    "Upon careful review of the statements made by U.K. Prime Minister, Mr. Boris Johnson, it is clear that he has not been properly informed by the competent state services of his country, of the new historical data regarding , that show that there has was never a legitimate acquisition of the Parthenon Sculptures by Lord Elgin and, therefore neither has the British Museum ever acquired the Sculptures in a legitimate manner. The Ministry of Culture and Sports can provide the necessary documentary evidence that can inform the British people that the British Museum possesses the Sculptures illegally.

    For Greece, the British Museum does not have legitimate ownership or possession of the Sculptures. The Parthenon, as a symbol of UNESCO and Western Civilisation, reflects universal values. We are all obliged to work towards this direction."

    To read Minister Mendoni's statement in Greek and in English, follow the link here.

    mendoni 2

     Greek Minister of Culture and Sports, Dr. Lina Mendoni

    A timely reminder of  Annex A in the Publication on the UK Parliament Select Committee on Culture, Media and Sport Appendices to the Minutes of Evidence:

    Was the Removal of the Parthenon Marbles by Elgin Legal?

     24. Abdullah Pasha issued the letter that survived in translation, as a gesture of gratitude to the British Ambassador who was at that time at the peak of his influence at the Porte because of the successful outcome of the war in Egypt. But Abdullah Pasha would not dare to issue a firman to the same effect because he would need the approval of the Sultan himself, who would probably reject Elgin's request. Consequently, the document upon which the "legality" of the removal of the Acropolis monuments is based had neither the strength of a law nor even that of a legal order of the Sultan's government, as it would have if it was a firman, but it is simply a "reference letter" supplied to the British Ambassador by the deputy of the Grand Vezir, succumbing to his persistent demands and his powerful influence at the time. The fact that such a document of inferior authority was enough for the authorities in Athens to allow the ravage of the Acropolis should not surprise us. Elgin himself later said that: "in point of fact, all permissions issuing from the Porte to any distant provinces, are little better than authorities to make the best bargains that can be made with the local magistracies"

  • 07 December 2021

    Thanos Davelis, Director of Public Affairs for the Hellenic American Leadership Council, talks to Janet Suzman, the chair of the British Committee for the Reunification of the Parthenon Marbles, on 'The Greek Current' to discuss Prime Minister Mitsotakis’ recent visit to the UK and the momentum it has given to the campaign for the reunification of the Parthenon Marbles.

    Listen to the podcast here 

    THE GREEK CURRENT PODCAST EPISODE NOTES
    Is there a new momentum for the return of Parthenon Marbles to Greece? That’s what Janet Suzman, the chair of the British Committee for the Reunification of the Parthenon Marbles, argued in her latest op-ed for Kathimerini. Janet's article came after Greek Prime Minister Kyriakos Mitsotakis visited the United Kingdom, where he raised the issue of the Parthenon Marbles in his meeting with Prime Minister Boris Johnson. Despite Johnson’s refusal, Greece has vowed to use “every means” in its quest to persuade London to relinquish the Parthenon sculptures, with a campaign that will focus on winning over the hearts and minds of Britons. Janet Suzman joins Thanos Davelis on 'The Greek Current' podcast to talk about Prime Minister Mitsotakis’ visit to the UK and the momentum it has given the campaign for the reunification of the Parthenon Marbles.

    Read Janet Suzman’s op-ed in Kathimerini here: New momentum for return of Parthenon Marbles.

  • THE GUARDIAN 16 November 2021

    On Tuesday, 16 November 2021 in the Guardian Peter Walker and Helena Smith wrote that it has long been the official UK position that any return is a matter for the British Museum.

    The wider debate about museums returning artefacts taken from other countries during colonial times, has so far been resisted by the UK with the mantra of “retain and explain”. And that the British Museum’s consistent view is that the sculptures were acquired legally, with Elgin receiving formal consent from the Ottoman empire to remove the section of sculptures. “His actions were thoroughly investigated by a parliamentary select committee in 1816 and found to be entirely legal, prior to the sculptures entering the collection of the British Museum by act of parliament,” the museum says on its website.

    BCRPM Vice-Chair Paul Cartledge was quoted in the same Guardian article saying that this amounted to “a sleight of hand”.

    “It’s a nonsense,” he added. “Even if the trustees agreed to relinquish them, the final decision to rescind the act of 1816 which declared the Elgin Collection to be owned by the nation would legally have to go through the British parliament. There is no doubt that the pressure is building up for genuine, post-imperial reconciliation in the cultural sphere and Johnson is trying to evade it.”

    To read thst article in full, follow the link here.

    THE TIMES

      Josh Glancey of The Times tweeted on the same day about the British Museum's website statement:

    josh Glancy tweet

    And BCRPM member Benjamin Ramm replied 

    benjamin Ramm tweet

    Variations in the British Museum's statements, half truths on the information provided in Room 18, have left generations questioning what really happened bewtween 1801-1805 for Greece to have lost to another country half of its surviving Parthenon Marbles, with the Parthenon itself still in Athens.

    A helpful video can be found on the Acropolis Museum web site.

    GBNews 18 November 2021

    On Friday vening BCRPM's member Professor John Tasioulas joined GBNews and took a pragmatic approach on the issue too.

    Today, Saturday 20 November, Simon Jenkins wrote in the Guardian and the article headline reads: 'Give the Parthenon marbles back to Greece – tech advances mean there are no more excuses. To read the full article follow the link here

    THE GUARDIAN 20 November 2021

    Simon Jenkins pragmatic approach concludes: 'This issue, so important to the Greeks but not to the British, could be sorted out with goodwill in an instant. Precisely such a negotiation on the marbles was demanded in September by UNESCO, and rejected by Britain. If it requires a “perpetual loan” or an act of parliament, then get on with it. If money is required, raise it. Johnson is being feeble in fobbing off Athens’ request as not being under his purview. The museum is a state institution. Instead of keeping his promise and doing the right thing by the marbles, he has performed another U-turn and funked it.'

    THE DAILY MAIL 20 November 2021 

    Prime Minister Mitsotakis wrote in the Daily Mail and adds: "Now, given the Prime Minister has told me he would not stand in the way of Greece establishing a formal dialogue with the British Museum over the future of the marbles, I can only assume things will be different – that he will not obstruct any future agreement and, instead, the Prime Minister would seek to amend the relevant legislation to allow the sculptures’ return."

    THE TELEGRAPH 20 November 2021

    The Telegraph published a double page spread in the main section of Saturday's paper, witten by Gordon Raynor, with the headline questioning:'Could we be on course to lose 'our' Marbles?'

    BCRPM's Chair Janet Suzman is quoted:"The British Museum is demonstrably behind the curve.Other world-class institutions have started returning items, so it's a bit smug for the British Museum to refuse to engage. It just keeps trotting out the same mantra it has clung on for the past 200 years. It's terribly impolite for them to just stay silent on this."

    The British Museum's reasons for keeping the Marbles in London and divided from their surviving half in Athens is that: " there is a positive advantage and public benefit in having the sculptures divided bewtween two great museums, because in Athens they are seen against the backdrop of Athenian history and in London visitors gain insight into how ancient Greece influenced other civilisations."

    Janet adds that this is just "childish, finders keepers stuff. They were forcibly removed, they were brought to Britain, they have excited the western world and classical scholarship went up. They have done their job and it's time for them to go home. It is a moral obligation.

    She continues:" Anyone who goes to the museum in Athens can see, that is where they should be displayed. In the British Museum the experience is quite depressing."

    To read the full article, visit the Telegraph.

    Telegraph whole

    Telegraph 1

     

    Telegraph 2

    More on this also in the Greek Reporter.

  • In The Times on Saturday 27 March 2021, Oliver Dowden, was interviewed by David Sanderson, Arts Correspondent. In the interview Oliver Dowden was keen for the cultural world to reopen and shares similar views with Prime Minister Johnson with regards to the cultural treasures held by British Museums such as the 'Elgin' Marbles and Benin Bronzes. Johnson told Greek newspaper, Ta Nea, this month that the government’s “firm longstanding position on the [Parthenon] sculptures is that they were legally acquired by Lord Elgin under the appropriate laws of the time."

    Dowden is quoted as adding: “Once you start pulling on this thread where do you actually end up? Would we insist on having the Bayeux Tapestry back? American institutions are packed full of British artefacts. Japan has loads of Chinese and Korean artefacts. There is an exceptionally high bar for this . . . because I just don’t see where it ends. You go down a rabbit hole and tie up our institutions. I think it is just impossible to go back and disentangle all these things."

    Dowden said that while he loved the Benin Bronzes, he had “never related that much to the Parthenon Sculptures” until the museum’s director, Hartwig Fischer, “showed me around and told me the story in wonderful depth, revealing a whole different level of the artistry which I found really inspiring”. He added: “Would they have survived the Nazis rampaging through Athens during World War II. It is a slightly trite argument but there is a truth. Would the Benin Bronzes have survived various international conflicts?”

    To read the full article, kindly visit The Times link here

    Oliver Dowden's remarks sparked reactions from BCRPM's members, although many also felt that the Minister's comments were so poorly thought out it would be best not to comment at all. BCRPM member, Professor John Tasioulas, took to Twitter:

    twitter Tasioulas

     

    Further to the article in The Times on Saturday with Oliver Dowden, Greek Minister of Clture and Sport, Dr Lina Mendoni’s statement can be read below:

     "Yesterday's statements by the British Secretary of State for Digital, Culture, Media and Sport, Oliver Dowden underline the fact that the arguments used to justify the retention of the Parthenon Sculptures in London, are threadbare. Dowden, having nothing else to say, revives the argument of the so-called phenomenon of "the floodgates for mass returns of antiquities" from Museums around the world to their countries of origin. This is a non-existent argument, given that only one request is pending before UNESCO's Special Intergovernmental Committee at the moment: Greece's request for the reunification of the Parthenon Sculptures, tabled in 1984. So where are the massive demands of the Member States?

    The British Minister of Culture is attempting to downplay the value of the Parthenon's unique architectural sculptures by comparing the Greek request with other claims. Greece claims only the dismembered forms of the frieze, the metopes and the pediments of the monument - a symbol of Western civilization - which were violently removed from the monument and the land of their birth. Greece claims only the Parthenon Sculptures in order to reunite entirety  the surviving sculptural components of the Parthenon, therby restoring the integrity of this outstanding monument.

    As for the argument that Elgin supposedly rescued the Sculptures – since they could have been destroyed by others, if they had not been stolen by the noble Lord – we will remind Mr. Dowden of what one of his compatriots carved on the Acropolis at the time of the violent theft: "quod non fecerunt Gothi, hoc fecerunt Scoti" (what the Goths did not do, the Scots did )..."

    mendoni 2

    In today's Ta Nea, UK Correspondent Yannis Andritsopoulos, writes that the response from Minister Mendoni to Oliver Dowden was baked by Janet Suzman, Chair of BCRPM and at the same time a letter has been sent to Prime Minister Johnsonby IOCARPM (the first Committee to be founded for the campaign to reunite the Parthenon Marbles), members of the International Association. The letter signed by Founder and Chair Emanuel John Comino and Secretary, Russell Darnley, can also be read in full here.

    Janet's full statement:

    "That Dowden could not relate to the Parthenon Marbles says more about Dowden than it does about these peerless sculptures. He should consider himself lucky to have had a private tutorial from Dr Fischer. Perhaps Fischer could oblige with personal tutorials for everyone and spend less time spouting truisms about the ‘creative act’ that separates these figures from their peers in Athens and which is nothing more than self-justifying piffle. It is not a creative act to have them apart, it is the opposite, and two hundred years of separation is enough. They have done their job by now, of inspiring the Western world and should go home, where context will give them what is sadly lacking in the grey of Bloomsbury."

    To read  the Ta Nea article on line, please visit https://www.tanea.gr/print/2021/03/29/lifearts/voles-gia-ta-glypta-apo-ellada-vretania-kai-aystralia/

    Ta Nea 29 March 2021 coverTa Nea middle spead

     

  • A centaur head, along with another head,a Lapith, from the Parthenon temple and a horse’s hoof, came to Denmark in 1688 as a gift to King Christian V, and have remained in Denmark. The three pieces are exhibited at the National Museum in Copenhagen.

    Calls to reunite these pieces have not yielded a positive response from Denmark as the Danish museum’s director, Dr. Rane Willerslev, feels that the three fragments on display in Copenhagen are of “great importance for Danish cultural history and for understanding our interaction with the world around us at a time when democracy was taking shape.”

    danish museum director

    Professor of Anthropology, and Director of the National Museum of Denmark,  Dr. Rane Willerslev

    The mystery of why parts of the centaur head are coated with a thin brown film, as are several other marble fragments from the Parthenon continues. The scientific investigation's conclusion is that the brown film are interesting, and remain unexplained.

    There are two different brown layers with different chemical compositions, and it is likely that they have different origins. This could suggest that someone applied paint or a conservation treatment to the sculptures. Yet, since the traces of such substances have not been found, the brown film remains a mystery.

    Visit the National Museum of Denmark's site to view the Lapith head, and the centaur head.

  • Thursday, 6 February 2020 from 18:00 to 20:00, Kings College London, a panel discussion: "Who owns history" with Geoffrey Robertson QC,  plus Professor Edith Hall, Department of Classics, King's College London and Professor John Tasioulas, Director of the Yeoh Tiong Lay Centre for Politics, Philosophy and Law, King's College London, Chaired by Professor Philippa Webb, Dickson Poon School of Law, King's College London

    Event was held at:

    SW1.18, Somerset House East Wing
    The Dickson Poon School of Law, King's College London
    Strand
    London WC2R 2LS
    United Kingdom

    The panel featured a discussion of Geoffrey Robertson's recently published book, "Who Owns History? Elgin's Loot and the Case for Returning Plundered Treasure".

    The biggest question in the world of art and culture concerns the return of property taken without consent. Throughout history, conquerors or colonial masters have taken artefacts from subjugated peoples, who now want them returned from museums and private collections in Europe and the USA.

    The controversy rages on over the Elgin Marbles, and has been given immediacy by figures such as France's President Macron, who says he will order French museums to return hundreds of artworks acquired by force or fraud in Africa, and by British opposition leader Jeremy Corbyn, who has pledged that a Labour government would return the Elgin Marbles to Greece. Elsewhere, there is a debate in Belgium about whether the Africa Museum, newly opened with 120,000 items acquired mainly by armed forces in the Congo, should close.

    Although there is an international convention dated 1970 that deals with the restoration of artefacts stolen since that time, there is no agreement on the rules of law or ethics which should govern the fate of objects forcefully or lawlessly acquired in previous centuries.

    Who Owns History? delves into the crucial debate over the Elgin Marbles, but also offers a system for the return of cultural property based on human rights law principles that are being developed by the courts. It is not a legal text, but rather an examination of how the past can be experienced by everyone, as well as by the people of the country of origin.

    Follow the link to read Professor John Tasioulas' paper in response to Geoffrey Robertson's 'Who Owns History' panel discussion at Kings College London.

    collage KCL 06 Feb

     

     

  • The return of the British Museum's Parthenon Marbles to Greece, according to Reuters' report on Sunday, may be possible 'even if the two sides cannot come to an agreement over who owns the sculptures'.

    Greece's request for the return of the sculptures began shortly after independence. The more recent request was made by the then Minister of Culture, Melina Mercouri in 1983, when the Greek government formally asked the UK government to return the marbles to Greece and, in 1984, listed the dispute with UNESCO. The Greek government has always only requesed the return of the sculptures that Lord Elgin removed from the Parthenon at the start of the 19th century.

    The Pope last year announced that he would donate three fragmented pieces from the Vatican Museums to Greece. The signing of the agreement took place in Rome on  Tuesday 07 March 2023.

    Talks bewtween Greece and the British Museum have been going on since late 2021, and were disclosed when Prime Minister Mitsotakis came to London in November of 2022 to address the LSE.

    The British Museum's Parthenon collection could be returned to Greece under a long-term cultural partnership agreement, Reuters reported on Sunday 12 March.

    The plans, which have been discussed with Greek Prime Minister Kyriakos Mitsotakis and British Museum's Chair George Osborne, would see a rotation of Greek masterpieces offered to the British Museum, including some that have never been seen outside Greece*.(This was offered by Greece for the first time in 2000, 23 years ago!).

    Such an arrangement could avoid the requirement for a change in the law to allow the British Museum to dispose of its artefacts, the same point raised in 2000 also.  And yet,  George Osborne has played down the prospect of a permanent return of the marbles, instead suggested an arrangement where the marbles can be shared by both museums and seen in London and Athens.

    This story is set to run for a little longer.

    Read the aricle by Liam Kelly, Arts Correspondent for the Sunday Times, and for those that read in Greek in Ta Nea, although there are paywalls.

     

  • 28 July 2011

     John Melville-Jones writes for neokosmos.com

    In recent years the nature of the document that was presented to the British Parliament in 1816, which authorised Lord Elgin to study and copy the ancient Greek sculptures on the Acropolis of Athens, has been investigated.

    It is clear that it was not, as has so often been claimed, a 'firman' from the Ottoman sultan, because it lacks some of the formal elements that a true 'firman' would have had. Its exact nature is, however difficult to define. If an official 'firman' was ever issued (and no evidence now exists to prove that this happened), the Italian text that Lord Elgin laid before the parliament with an English translation may have been a précis of this. But it is more probable that it was a more or less accurate translation of an ad hoc document created by an Ottoman official in Athens. For this reason the translation of the document into English that was made by Lord Elgin's chaplain the Reverend Philip Hunt should have been faultless. But it contains a small but significant mistake.

    The authorization to remove material from the Acropolis was repeated in the document, essentially in the same words (Hunt's translations follow): e quando volessero portar via qualche pezzi di pietra con vechie inscrizioni, e figure, non sia fatta lor' oposizione …'and should they wish to take away any pieces of stone with old inscriptions, and figures, that no opposition be made …' and: non si faccia opposizione al portar via qualche pezzi di pietra con inscrizioni, e figure … 'nor hinder them from taking away any pieces of stone with inscriptions, and figures …' Two other translations of this document have been made (as noted in the article by Williams cited above).
     
    They all translate the Italian phrase 'qualche pezzi di pietra' in the same way, as 'any pieces of stone'. But this is wrong. Anyone who looks up qualche in an Italian-English dictionary will find that 'any' is one of its meanings. But dictionaries often lead the unwary astray, and 'any' is only a permissible translation in some circumstances. For example, hai qualche libro che posso leggere? might be translated as 'Do you have any book(s) that I can read?' But the proper translation of qualche pezzi di pietra is not 'any pieces of stone' but 'a few pieces of stone' (the Italian of the document is not the best in this case - it is normal to use the singular form of a noun with qualche, so we would expect to read qualche pezzo, but this is not important).

    The only time, to my knowledge, that this phrase has been translated correctly into English was in a speech made by Melina Mercouri (the Greek Minister for Culture) to the Oxford Union in 1986.

    This does not seem to have attracted any general attention. How many 'pieces of stone' would be implied by qualche pezzi? It is possible to suspect that the language is deliberately vague, but if you ask an Italian what number the phrase might imply, he will smile happily and make supportive gestures if you suggest three or five or seven, but when you reach ten or a larger number he will begin to look doubtful.

    So if the conditions of the alleged 'firman' had been strictly observed, Lord Elgin would not have been allowed to take away as many pieces of stone from the Parthenon and other buildings as he did. And if the British Parliamentary Select Committee had had a more exact translation before it in 1816 when it was formed to discuss the possible acquisition of the Elgin Marbles, this might have led to some modification of their decision.

    There is no record of any objection from the Ottoman authorities to Lord Elgin's removal of the large number of 'pieces of stone' that he did in fact take, so the mistranslation of this phrase in the 'firman' now has little force in the current argument concerning the repatriation of the Parthenon sculptures. But it is desirable to put the correct translation of the Italian text on the record.

    John Melville-Jones is an associate Professor in Classics and Ancient History at University of Western Australia. This note has been prepared on behalf of the Australian Macedonian Advisory Council.

     

     

  • "Britain is isolated on the issue of the Parthenon Sculptures. Greece's request for reunification will remain on the table, as it has been for more than four decades since it was submitted to UNESCO. We will continue our campaign and urge Greece to continue asking the Museum's trustees and Britain to do what is right: return the sculptures, but not as loans, to their natural environment, the Acropolis Museum," Paul Cartledge, professor emeritus of Greek culture at Cambridge University and vice-chair of the British Committee for the Reunification of the Marbles (BCRPM), told TA NEA.

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    "It is very sad that Mr Sunak has cancelled his meeting with Mr Mitsotakis. The Parthenon Sculptures were just one of the topics for discussion, among other very important issues. The dialogue between Athens and the British Museum, the pressure on the British establishment and politicians must continue. I am confident that in the end a satisfactory solution will be found, acceptable to all parties," Dr. Chris Tytgat, President of the International Association for the Reunification of Sculptures (IARPS), told TA NEA.

     

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    To read the full article that was published in Ta Nea on 29 November in English, kindy follow the link here.

  • “Any holders of Parthenon Sculptures outside Greece to return them forthwith to Athens, where they can be reunited with their brothers and sisters”, the distinguished historian of the University of Cambridge, Dr. Paul Cartledge, stated in Kathimerini. Vice-Chairman of the British Committee for the Reunification of the Parthenon Marbles and a 50-year scholar of ancient Greek history, he congratulates the tireless struggle of the Greeks for the return of their stolen antiquities, while stressing the favourable climate in the UK for the reunification of the Parthenon Marbles.

    “YouGov polls regularly register above 60 percent support for reunification” argues Professor Cartledge, explaining that “The UK’s main journal of record, The Times, has recently flipped its longstanding editorial policy – from a retentionist to a reunificatory stance”.

    Regarding the problems of the sculptures' storage at the British Museum, Cartledge, critical of the British Museum, also stresses their poor conservation, focusing among other things on the issue of dampness in Room 18, as well as the series of thefts by the former curator of the Greek and Roman wings. According to Dr. Cartledge, «The Museum’s repeated claim to have been an exemplary caretaker of ‘its’ Marbles since 1817 has also been exploded on two academic fronts: a) by the late William St Clair, exposing the hushed-up, irreparable damage (‘skinning’) inflicted on frieze sculptures on Lord Duveen’s orders in the late 1930s; and lately b) by international human rights lawyer Professor Catharine Titi exposing the fragility of the UK’s original claim to legality of purchase in 1816”.

    The timeline of the sale of the sculptures is set four years after the removal of the sculptures from the Acropolis, but personal debts lead Lord Elgin to submit a proposal to the British Museum to sell the stolen sculptures, estimating their value at £35,000, with the British Parliament accepting Elgin's offer. From then on, the sculptures began to be exhibited at the British Museum with the newly-established Greek state making the first request for their return in 1835.

    But did Lord Elgin have the right to sell the sculptures? According to Dr. Cartledge, who relies on the legal assumptions presented in the book, “The Parthenon Marbles and International Law”, “the UK does have legal title to ‘ownership’ of the British Museum holdings, but only with regards to domestic law. Contrariwise it is evidenced that Lord Elgin’s title to what he sold to the U.K. for £35,000 in 1816 was anything but Acropolis rock-solid. So far, despite rigorous searches in Ottoman archives, the best that ‘retentionist’ defenders of the UK and the BM can dredge up is an Italian translation of a permit issued by an Ottoman high-up, not formally carrying the imprimatur of the Sultan himself, allowing Elgin’s men to pick up marbles lying around on the ground and copy stones bearing figures – no mention of hacking worked marbles off the extant Temple itself and having them shipped at great risk of further damage to the UK”.

    “Conclusively, one of the issues at the heart of that ancient-history debate is the existence or nonexistence of any sort of official Ottoman firman authorizing Elgin and his cohorts to damage the Acropolis. On the other hand,”, Professor Cartledge adds, “the reunification requires at least one, possibly two Acts of Parliament to be either amended or rescinded: a) of “1816” about the purchasing of and the claim to ownership of the Elgin Collection including the Parthenon Sculptures and, b) of “1963”, “Museums Act”. That requires parliamentary time and support. The present (Tory) UK government is dead against even talking about any legislative change, for example, witness the UK PM’s recent extreme discourtesy to the Greek PM. The Chair of the British Museum Trustees is, therefore, unable to help the Greek government directly, even if he wanted to; his talk about a ‘deal’ is just that – “hot air”.

    After two centuries of claims by the Greek State, the provocative fashion show in the Duveen Hall, in front of the Greek antiquities, provoked the anger of the Greek Ministry of Culture, with the Minister of Culture Lina Mendonispeaking of "zero respect", while the British media reiterated the conflict between the two governments and the Greek demand for the return of the sculptures.

    As vice-chairman of the British Committee for the Reunification of the Parthenon Marbles, Professor Cartledge argues for the reunification of the sculptures on Greek soil, stressing, “Outside Athens and Greece any Parthenon Marbles held abroad risk looking like imperial loot without much if any current cultural-political significance”. At the same time, he underlines, “The Parthenon was a temple of as well as on the Acropolis, so any sculptures therefrom that survive but cannot be re-placed on what remains of the temple itself should be reunited in the dedicated Acropolis Museum”.

    Highlighting the historical and cultural value of the Parthenon, the distinguished academic elaborates on the argument of return by explaining that, “due to a series of historic conjunctions, like the liberation of the new state of Greece from the Ottoman empire, end of the Ottoman empire, growth of representative democracy, the increased importance of the Parthenon as a symbol of the world’s first democracy or ‘people-power’, division of Europe – and the world -  between democracies and autocracies, Parthenon stands as a symbol of both cultural excellence and political freedoms, and even more importantly so. Therefore”, he adds, “any holders of Parthenon Marbles/Sculptures outside Greece to return them forthwith to Athens, where they can be reunited with their brothers and sisters in a fully appropriate space”.

    In summary, the Emeritus Professor of Cambridge argues that the return of the Parthenon Marbles to Greece will influence the global debate on the return of stolen antiquities to their place of origin, pointing out that, “The Parthenon Marbles is, in fact, a unique case, without implications for the fate of any other ‘restitution’ case, but, even so, reunifying the Parthenon Marbles back in Athens would have a mega impact on other legitimate claims for repatriation currently being lodged against the British Museum, above all perhaps that for the Benin Bronzes”.

    This article was first published in ekathimeriniand writte by Athanasios Katsikidis.

    To read the article in Greek, follow the link here.

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    Boris Johnson has long hailed Pericles as his political hero. How does the British Prime Minister compare to the ancient Athenian statesman?

    For Professor Paul Cartledge, it’s straightforward: “Johnson and Pericles? No comparison. Johnson v Pericles? No contest,” he says.

    The Cambridge classicist has spent more than 50 years studying the history and civilization of ancient Greece. An eminent Hellenist, a prolific writer (he has written, edited or co-edited more than 30 books) and a long-standing philhellene (he has been visiting Greece since 1970 and he is a staunch supporter of the Parthenon Marbles’ reunification), Cartledge will on Monday be named Commander of the Order of Honour (Ταξιάρχης τοῦ Τάγματος τῆς Τιμῆς). It is one of the highest honours that the Greek state awards. The decision to bestow the title on Cartledge for his “contribution to enhancing Greece’s stature abroad” was taken by Greek President Katerina Sakellaropoulou.

    Cartledge has contributed to several television and radio programmes and publications on issues related to ancient Greece.

    The renowned academic is author of popular history books such as The Spartans: An Epic History, Thermopylae: The Battle that Changed the World, The Greeks: A Portrait of Self and Others, Alexander the Great: The Hunt for a New Past and Democracy: A Life. His latest book is Thebes: The forgotten city of Ancient Greece (Picador, 2020). In 1998 he was the joint winner of the Criticos (now London Hellenic) Prize for The Cambridge Illustrated History of Ancient Greece.

    Cartledge, 74, is A.G. Leventis Professor of Greek Culture emeritus at the University of Cambridge, A.G. Leventis Senior Research Fellow at Clare College, University of Cambridge, and Member of the European Advisory Board of Princeton University Press.

    He is Vice-Chair of the British Committee for the Reunification of the Parthenon Marbles (BCRPM) and elected Vice-President of the International Association for the Reunification of the Parthenon Sculptures (IARPS). He is also President of The Hellenic Society, Chair of the London Hellenic Prize, member of the International Honorary Committee of the Thermopylae-Salamis 2500 Anniversary framework and Honorary Citizen of Sparta.

    In an interview with Greek daily newspaper Ta Nea, Professor Paul Cartledge spoke about his relationship with Greece, ancient history (including its connection and relevance to our times), democracy (ancient and modern) and the Parthenon Marbles.

    Q: Greek President Katerina Sakellaropoulou has named you Commander of the Order of Honour in recognition of your contribution in enhancing Greece's stature abroad. What does it mean to you to receive this award?

    A: It means the world to me, since it's a public and visible confirmation that somehow both my academic research (and publications) and my attempted media interventions on cultural and other issues affecting modern as well as ancient Greece have been to a satisfactory degree successful. I see myself, perhaps rather grandiosely, as a 'public intellectual', and since around 1990 I have both tried to publish work that, though academically based and scrupulously researched, is also 'accessible' to a wider public than just my specialist university colleagues and students, and to intervene on major public cultural issues, such as the Reunification of the Parthenon Marbles, a cause very dear to my heart. I tried to sum up these points as part of my Inaugural Lecture as the founding A.G. Leventis Professor of Greek Culture in the University of Cambridge (delivered 2009, and published by the C.U.P., 2009): 'Forever Young: Why Cambridge has a Professorship of Greek Culture'.

    Q: When did you first become interested in Greek history and culture? Why did you choose to study the Classics?

    A: I can almost pinpoint the moment to a precise year: I was given for my 8th birthday (1955) a copy of a simplified, children's version of Homer's Odyssey. We all know the famous episode when Odysseus, after 20 years away, at last returns to his island-kingdom of Ithaca, only to find that his palace has been taken over and is being trashed by 108 'suitors' (of his faithful Spartan wife Penelope). Outside the palace back door, full of ticks and generally in a very bad way, lies amid the dirt and squalor a dog - Argos. Once he had been Odysseus' favourite hunting dog, but now he is abandoned and degraded. Odysseus comes upon him and, though he is in disguise as a poor beggar man, Argos recognises his master! But the effort is too much - Argos has a heart attack and dies. Odysseus secretly sheds a tear - I wept out loud for half an hour...

    That's the symbolic moment of origin of my classical career. Just as crucial, obviously, was the fact that I attended private schools in which the teaching of Latin was begun at the very same age - 8, and of Greek at age 11. And the learning of Latin and Greek was privileged: if you were good at these languages, as I was, then you found yourself placed in the 'top' forms or sets. And so it went, as I progressed from Colet Court in London to the senior St Paul's School, a famous Classics school founded in 1509 by humanist John Colet, a friend of Erasmus. And from there on to New College Oxford, to read 'Mods' and 'Greats', i.e. Classics (1965-69). I graduated with a 'Double First' and, since by 1969 I'd decided I wanted as a career to teach ancient history at university, I embarked on a course of doctoral (DPhil) research into early Spartan history and archaeology under the supervision of John Boardman - then plain 'Mr Boardman', now 'Sir John'.

    Q: When did you first visit Greece and what do you recall from your first visit to the country?

    A: I am rather ashamed - retrospectively - that I did not visit Greece until 1970 - as part of my doctoral programme. My first serious venture on Greek soil was on Crete, to take part in (in fact oversee the pottery shed for) Hugh Sackett & Mervyn Popham's excavation for the BSA (British School at Athens) of the so-called Unexplored Mansion site at Knossos. Mainly Roman levels were what we were hitting in summer 1970 - but that's not all we British and American students were hitting, by any means. A couple of local mpouats (boîtes) engaged our interest of an evening, and at weekends we went on ekdhromes, expeditions, either solo (as I did once - and when I asked directions, a local farmer asked me very fiercely 'Germanos eisai?' 'Oxi, Anglos!', I replied. Huge smiles all round - this was only a generation after the Nazi occupation) or in a group.

    Participation in that excavation gave me a series of lasting and deep friendships, some now interrupted by distance or death but others still alive and well. It was also my introduction to Greek politics - under the 'dictatorship' of 'the Colonels'. Members of the BSA were required - by the Greek state - to swear that they wouldn't get involved in any political activity. I duly signed, but did not abide by my oath, not on Crete (where I listened and learned to how the fiercely independent Cretans saw Athens, regardless of which regime held power there) so much as back in Athens.

    I signed the oath at the British School under the watchful eye of the then Director, Mr PM Fraser (All Souls Oxford). That would have been in about June 1970, when I arrived in Greece for the very first time. On Crete (BSA dig at Knossos) in summer 1970 I talked a lot of politics - the Cretans I spoke with (workers on the dig) were openly contemptuous of the Colonels. (Except for the Dig Foreman, Andonis - who was a Colonels' supporter. He had gained the position because his brother, a communist, had been sacked from it...) We weren't supposed even to 'talk' politics. Back in Athens in 1971 I had friends who were part of the underground resistance. e.g. I attended with them a 'secret' talk given by Cambridge economics prof Joan Robinson and went around with them distributing resistance literature to private addresses in the city. (No mobile phones, no internet...). On one occasion I agreed to act as a courier - between the resistance and (Lady) Amalia Fleming, widow of Sir Alexander (discoverer of penicillin), who lived in London. I was given - I can't now remember by whom - a fairly large packet (no idea what it contained!) to take through customs at Athens airport and then on to London, where I mailed it to Lady Fleming through the normal post. I was very very nervous going through Athens airport security and customs - but my carry-on bag wasn't searched.

    Q: In Greece we have debates from time to time about the usefulness of studying Ancient Greek. Do you think that there is value in learning this ancient language?

    A: I could hardly say 'no', could I? Let me start from the fact - I believe it is one - that the Greek poetic tradition is the longest continuous poetic tradition in the world, barring only - possibly - the Chinese. From Homer to the present day. One easy way of assimilating this is through The Penguin Book of Greek Verse, expertly edited and translated in 1971 by Constantine Trypanis. There are other such compendiums, but that one has the original Greek versions as well as a serviceable English (prose) translation. Then there is the fact - of this I have no doubt - that ancient Greek is the richest member of the Indo-European language family, capable of expressing the minutest nuances of emotion and description, blessed with several voices and moods and declensions and conjugations... Then - and directly consequent upon that latter fact - it's a fact that, if you don't know Greek, you can't speak a whole slew of English: so many are the loan words or invented words taken from Greek into English - e.g. photography ('light-writing/drawing') or xenophobia ('fear of strangers/foreigners/outsiders'). But of course, the chief value of learning ancient Greek is to read ancient Greek texts in the original - Homer, the world's greatest epic poet, Aeschylus, Sophocles and Euripides, some of the world's greatest tragic dramatists, Hippocrates, father of Western medicine, Herodotus and Thucydides, founding fathers of my own discipline of History, Plato and Aristotle, twin founders of Western philosophy - need I continue??

    Q: Britain has a rich tradition over many centuries in teaching and studying the Classics – from which you have benefited and to which you have contributed immensely. Why would someone study ancient history now? How is it relevant to us?

    A: In my last answer I mentioned my intellectual roots in ancient Greece: the Histories of Herodotus of Halicarnassus (c. 484-425 BCE), the History of the Atheno-Peloponnesian war by Thucydides of Athens (c. 460-400). Most people who become professional classicists do not become as I did ancient historians; for them, the literature or the philosophy are what attract and engage them. But - like one of my own English history heroes, Edward Gibbon - I have known from the age of 8 or so that I wanted to be a historian, and, since I'm a Classicist, that means I'm an 'ancient' historian. But I insist: I am a historian who happens to specialise in ancient (Graeco-Roman, Mediterranean) history, not some peculiar species of historian. Like Herodotus what engages me above all are causality and causation - why did things happen, and happen the way they did, and in no other way? I mean really significant things such as the birth, development, spread and demise of (ancient, direct) democracy, the conquest of Greece by Republican Rome, the fall of the Roman Empire in the West and East. Like Thucydides, I'm particularly preoccupied with trying to understand and explain politics - the political process, the methods of politicians, the involvement of the masses in decision-making.

    Q: Which ancient Greek figure stands out for you, and why?

    A: May I choose two, please? One female, one male. My female choice is a Spartan, not just any Spartan female, I admit, but a princess of the blood (more precisely, of the Eurypontid blood). Sparta uniquely in the 5th and 4th centuries - still - had two royal houses, the senior males of which ruled as joint kings (basileis). Women in Sparta were unusually empowered, by contrast to the relatively lowly status of Greek women in others of the 1000 or so Greek cities. But even Sparta couldn't contemplate a ruling Queen. Nor - I am assuming - did wives choose the names of their daughters, so I am assuming that it was her father, King Archidamus II (r. c. 465-427), who chose the name of his daughter - my female choice - Kyniska. The name means 'little dog' or 'puppy', and it's the female equivalent of Kyniskos, a name attested elsewhere in the 5th-century Peloponnese. I infer that the name gives a nod to the fact that Spartans bred particularly excellent hunting dogs, especially females, which they used in pursuit of the greatest of all 'big game', the wild boar of the lower Taygetus mountain slopes. We don't know exactly when Kyniska was born - her full brother Agesilaus II saw the light of day in about 445, so I suppose that 440 or so would be a reasonable birthdate. In which case she was about 45 when she made the biggest possible splash in the world of sports normally restricted exclusively to Greek males: the equestrian competition at the Olympic Games. In 396 she won the top-notch 4-horse chariot race - and four years later repeated that amazing feat. And she was no shrinking violet. A statue base happens to have survived from Olympia on which Kyniska had engraved a boastful epigram, telling anyone who'd listen that she was 'the first woman in all Hellas (the Greek world) to have won this crown' - the victor's olive wreath. Of course, she hadn't actually driven the winning chariots, but she had reared and trained the horses in her own stables in Sparta, where there was a considerable number of successful (male) owners and trainers already. So just to ram the point home, she opened her epigram by stating her own aristocratic breeding pedigree and bloodline: 'kings are my father and brothers', that is, the aforementioned Archidamus II and Agesilaus II and her half-brother Agis II. By 396 both Archidamus and Agis were dead: how well did Kyniska's boast go down with her full brother, reigning co-king Agesilaus? Not well at all, I think. Agesilaus's encomiastic biographer, the Athenian Xenophon, took time out to insist that, although Kyniska had indeed won an Olympic victory, it was Agesilaus's idea in the first place that she compete at all, and anyway rearing race-horses was far less important than rearing war-horses!

    My male choice is a different kettle of fish altogether: not a Spartan - nor an Athenian, nor a Syracusan, nor even a Macedonian but... a Theban. We don't know exactly when he was born, some time in the last quarter of the 5th century, nor do we know much about his family background or upbringing because - unlike that of his contemporary and sidekick Pelopidas - Epaminondas's biography by fellow-Boeotian Plutarch is lost. We assume he was high status and well educated, so his career and alleged espousal of Pythagoreanism would suggest. What we do know that, unlike Pelopidas again, who went into exile, Epameinondas remained in Thebes while it was under Spartan military occupation between 382 and 379 and did what he could to keep up Theban morale and resistance from the inside - until the daring stroke of Pelopidas and a small band of brothers effected Thebes's liberation in winter 379/8. Thereafter Epaminondas was in the frontline both physically and morally. On three fronts mainly: 1. the field of battle - he was a strategist and tactician of genius, winning for Thebes and its allies two major battles, Leuktra (371) and Mantineia (362); 2. federalism: Thebes was itself the chief city of a - moderately - democratic federal state, the Boeotians; in the 360s Epameinondas extended that principle to the Peloponnese with the foundation of Megalopolis as capital of the federal state of the Arcadians; and, not least, 3: liberation: in 369 Epameinondas was key to liberating the Helots of Messenia, Greeks who for centuries had been the unfree compulsory labour-force of the Spartans. Nor was he unconventional only in religion; so too in his private life. He never married, and he died (on the battlefield of Mantineia) and was buried side by side with his current male lover.

    Q: In your recently released book Thebes: The Forgotten City of Ancient Greece you write that democracy in ancient Greece "was not just a matter of institutions but also a matter of deep culture". What do you mean by that and, given recent political developments in several parts of the world, is democracy still deeply ingrained in our culture?

    A: I'm almost inclined to say that the difference between any ancient form of democracy and any modern version is like the difference between chalk and cheese, or apples and pears... All ancient versions of demokratia were direct - in antiquity 'we the people' (demos) did not merely choose others to rule for/instead of them but ruled directly themselves. That in itself gave ancient Greek democratic citizens - free, legitimate adult males only, of course - a participatory stake in governance that is not available to the vast majority of citizens in representative democratic systems like our own today. That participatory stake was not felt or exercised only occasionally but almost on an everyday basis: in the 4th century BCE the Athenian Assembly met every 9 days, yes, really, the decision-making organ of the Athenian democratic state made major decisions of religious and other political policy every 9 days. The 6000 citizens who put themselves forward to be enrolled, by lot, on the annual panel of jurors might sit on average every other day - for which they were paid a small fee out of state funds. Every year the Athenians staged two religious play-festivals, for which audience members who were too poor to afford the entrance fee to the Theatre of Dionysus were given a small subsidy. Decisions as to who were the winning playwrights and impresarios - the ancient Athenian Oscars - were made by democratic majority vote. All that implies that democracy was for them not just a matter of institutions but also a matter of deep culture. That implication was made manifest in the second half of the 4th century when a new goddess was added to the official Athenian democratic pantheon, the personification of none other than Demokratia, herself.

    Q: The title of a BBC Radio 4 series you recently participated in was Could an ancient Athenian Fix Britain? What is the answer to that question? And, do you think an ancient Athenian could fix modern Greece as well?

    A: There is no answer to that question! I mean, no answer to 'how could or should Britain be fixed?', if by that is meant - how do we overcome the utterly disgraceful and shameful class divide between rich and poor (which in Covid-ridden Britain equates pretty much to healthy and unhealthy Britain)? or between the well and the less well educated? or between the rich and poor regions of not just England but also Scotland, Wales and Northern Ireland? or between those regions - in favour of the strengthening or shoring-up of our now very shaky Union? I could go on. The ancient Athenian polis and the modern British state are simply not commensurable. However, at another level, there are ways in which, it could be suggested, ancient Athenian practices - I mean democratic political practices - could and should be re-evaluated with a view to seeing whether and how they might improve our own. Take the present - unelected - House of Lords: scandalously un-democratic as such (and that's without mentioning the 80-plus 'hereditaries'!!). And what about having far more in the way of genuinely democratic input into legislation - via constitutional assemblies of bodies selected by lot to be genuinely representative of all relevant sections of society, who would then put forward measured recommendations to Parliament? What about genuinely democratic referendums or plebiscites - in which all parties to a debate have to put forward a manifesto for which, if they win, they will be held responsible and accountable, if necessary through the courts?

    Q: Boris Johnson, the British Prime Minister, has made no secret of his classical education and love for Greece. He has also said that Pericles is his hero. Do you see any similarities between the two statesmen? What is your opinion of Mr Johnson?

    A: I am an academic, not a politician, but I am also a committed citizen, and not a supporter of the Party that chose Mr Johnson as its leader and thereby - at a stroke - originally as our Prime Minister. Very undemocratic, that. The office of the UK Prime Minister has infinitely more discretionary powers than Pericles ever held. Pericles was regularly elected to the top executive Athenian office, but he was as such a member of a board of ten, and any moment almost of any day he might be impeached - as he in fact was in 429 (deposed and fined). For ancient Athenian democrats, all officials however selected had to be made constantly to realise they were accountable - to the People. Johnson and Pericles? No comparison. Johnson v Pericles? No contest.

    Q: In his recent interview with Ta Nea, Johnson said that “the (Parthenon) Sculptures were legally acquired by Lord Elginand have been legally owned by the British Museum’s Trustees since their acquisition.” I know that you have been campaigning for decades for the Marbles’ reunification. What did you think when you read his comments? Why do you think that the Parthenon Marbles should return to Greece?

    A: How would a French person feel if the Bayeux tapestry were cut in half, and half were to remain in Bayeux, while the other half was transported to Berlin? How would an Italian feel if the Mona Lisa were cut in half and one half was transported and permanently housed in Milan while the other half remained in Paris? How would one feel about either of those - as a cultured European, or as a citizen of the world? What the British Museum currently holds of the Parthenon Marbles were removed when Athens was part of the Ottoman Empire, a power whose local functionaries on the spot could not give a fig for what Britain's Ambassador to the Sublime Porte, Lord Elgin, did to or with the Parthenon Marbles. There is no evidence yet discovered to prove that what Elgin in fact did (sheer vandalism, according to Lord Byron and many of us since) was literally authorised by the Ottoman Sultan. But, even if there were, so what? What - moral - authority could possibly legitimise the removal of artefacts from a building under alien control to the jurisdiction of a foreign power which then claims them as spoils by a supposedly legal enactment? There is in Athens on the Acropolis the very substantial remnant of a once aesthetically magnificent temple, the shadow of which extends from antiquity to modernity. There is in Athens a simply amazing modern Museum with a dedicated gallery intervisible with the Acropolis in which what the Greeks hold of the Parthenon sculptures are properly - I mean scientifically, art-historically correctly - displayed. Reunification? Q.E.D.

    Q: Greece is celebrating this year the bicentennial of its War of Independence, as well as the 2,500th anniversary of the Battle of Thermopylae and naval battle of Salamis. How do you evaluate the historic importance of the War of Independence and do you agree that Thermopylae and Salamis were of seminal importance for the course of Western Civilisation as we know it?

    A: I am a historian of ancient Greece and Rome, not of early 19th-century Greece and Europe - and by extension the world. But I have of course read widely in the accessible literature and am aware that there has been a ton of new research issuing forth especially since the 150th anniversary, in 1971, and now at the bicentennial. As I understand it, that research tends to emphasise the singularity, the crucially influential singularity, of what Greeks both inside and outside the boundaries of the Ottoman empire achieved during the crucial first three decades of the 19th century (not coincidentally precisely the period of Lord Elgin's vandalism). In short, the Rising of 1821 saw the birth of modernity, political modernity, both in Greece and elsewhere.

    As for the 2500th anniversary - or rather the anniversaries in 2021 of the two battles of 480 BCE and the anniversary in 2022 of the finally decisive battle of Plataea in 479 BCE - the issue hinges on a massive 'what if?' What if the invading Persians under Xerxes had won, rather than the 32 or 33 resisting Greek cities? (And what if at precisely the same moment, in 480 BCE, the Carthaginians of north Africa had defeated Greek Syracuse and taken over Greek Sicily?) There are many imponderables here, and as a historian I have to insist first that we must not talk of 'Greece' or 'Greeks' as if they were a unitary political force in the way that 'the Persians' were. Most Greeks of the Aegean area did NOT choose to resist the Persian invasion, and many of them fought for rather than against the Persians. Consider only Thebes: rather than join Sparta and Athens, the leading resisters, Thebes sided with almost all Greeks from Boeotia to the Hellespont and took the Persian side. And it would be hard to find two Greek cities more UNalike than Sparta and Athens in 480-479 BCE. No doubt all the resisters agreed equally that they were fighting for freedom FROM a potential Persian takeover; but within Sparta and Athens 'freedom' could have very different meanings for different sectors of the population - for male citizens as opposed to female; for all citizens as opposed to legally unfree Helots or chattel slaves. So, for me, the question of what difference did the loyalist Greeks' victory over the Persians make on a grand, world-historical/civilisational scale boils down to - would the Athenians' precious and still infant democracy have been allowed to survive, had the Persians won? To which my answer is: unquestionably not. And - therefore - but for the loyalist Greeks' victory, there would have been no "Persians" tragedy by Aeschylus (472 BCE), and indeed no flowering of the tragic and later comic drama that constitutes the very foundation of all Western drama. No democracy would have meant no free speech, no free exchange of scientific and philosophical and other ideas, ideas which sometimes challenged even the very basis of conventional norms not least in religion. But even so, it is not of course the ancient Greeks or Athenians themselves who directly ensured that their original creations should influence subsequent civilisations including our own today - for that, we have to thank the Romans, the Byzantine Greeks, the European Renaissance, the European and American Enlightenments... 'Legacy' or cultural inheritance is a dynamic, two-way, dialectical and constantly renegotiable process - currently being rather fiercely debated so far as 'Classics' is concerned, along the two axes of racism and sexism above all. Let a thousand flowers bloom...

    This interview was written by  Ioannis Andritsopoulos, UK Correspondent for Greek daily newspaper Ta Nea and published on 17 April 2021

     

    Professor Paul Cartledge received his Commander of the Order of Honour from H.E Ambassador Ioannis Raptakis in London on 22 April 2021, at the Ambassador's Residence . This  was organised on the occasion of Philhellenism and International Solidarity Day and Greece's 1821 Bicentennial. John Kittmer,  Kevin Featherstone, Stephen Fry and Robin Lane Fox  were awarded the Commander of the Order of Phoenix and Professor Paul Cartledge with the Commander of the Order of Honour . H. E Ambassador of Greece, Ioannis Raptakis, presented the medals on behalf of the President of the Hellenic Republic, Katerina Sakellaropoulou, recognising each distinguished philhellene for their contribution in enhancing knowledge about Greece in the UK and reinforcing the ties between the two countries.

    H.E. Ambassador Raptakis with Professor Cartledge, awarded  the medal of Commander of the Order of Honour  and  second photo John Kitmer with Ambassador Raptakis and Professor Cartledge.

    Stephen Fry with Ambassador Raptakis, second photo Ambassador Raptais with Kevin Featherstone and  last image is Lane Fox.

     

     

  • Paul Scully, Minister of State at the Department for Levelling Up, Housing and Communities and Minister for London, was interviewed by Yannis Andritsopoulos, UK Correspondent for Ta Nea, and calls for dialogue to begin on the continued division of the Parthenon Sculptures.

    The UK Minister called for a "mature discussion" on the matter.

    This is the first time that a member of the Conservative Government has called for dialogue to be initiated in order to find a solution to an issue that has been pending since 1816,  and since the time when British Parliament bought the ancient Greek artifacts from Lord Elgin, who had previously removed them from the Parthenon.

    To this day, the UK Government claims that "the Parthenon Sculptures were legally acquired and belong to the British Museum", while it recently "refuted" UNESCO's ICPRCP decision for intergovernmental dialogue on the issue.

    "Recently I was lucky enough to see the Parthenon Sculptures up close. It was a real privilege. I fully understand the issue that has arisen," commented Paul Scully .

    Clarifying that, from his portfolio, "I am not in the right department to take decisions on this issue", he stressed: "I hope that we will be able to ensure that there will be a mature discussion on the Sculptures". He added: "This is a discussion that the Foreign Minister should have with her Greek counterpart."

    The 54-year-old Minister (holds an autonomous portfolio that does not come under another ministry) noted that "the Parthenon Sculptures, wherever they are, exist for the whole world", implying that he would hardly support their permanent return to Greece. "I hope that we will all be able to learn the history, heritage and the past of these sculptures", he added.

    Yannis and Scully

    Yannis Andritsopoulos asked him what kind of solution could emerge from the dialogue he proposes to take place between Greece and Britain, and MP Scully replied: "We do not want this issue to be the subject of a division between the two countries. The wonderful Parthenon Sculptures are amazing in terms of their history and everything they represent", he tells me, praising the culture and history of Ancient Greece.

    "I'll tell you something: I've been guiding people around the British Parliament all the time. When I tour Americans and talk to them about Westminster Hall, which is almost 1,000 years old, they are in awe. When I say this to Greek visitors, they just shrugg their shoulders. You see, it's not that ancient  whencompared to the ancients of Greece."

    He then addresses the Greek Cypriot community in Britain: "Greeks and Cypriots contribute so much to our economy and society. They are highly educated and always hard workinf. They are welcome in London and across the country."

    ON THE CYPRUS ISSUE. Referring to the Cyprus problem, the British minister called on Ankara to do more in order to find a solution.

    "I urge Turkey to find a constructive approach and a way forward for the negotiations for the settlement of the Cyprus' division. It definitely has to do this. Quite simply, we cannot continue with the stagnation that has been observed for so many decades, which is causing tensions between the two countries," Paul Scully stressed.

    He added: "We absolutely must end the partition. We have to listen, to learn, to understand what is happening in Cyprus. The Foreign Ministry has been supporting the efforts from the very beginning. But members can also be active. It is important that they learn the story and then share it with their colleagues in parliament. Their experience can contribute to decision-making and pressure from Britain. We must work together with Turkey and Greece in order to find a solution that leads to a meaningful reunification."

    To read the article in Ta Nea, follow the link here .

    Ta Nea 08 July 2022

    BCRPM also notes the breakthrough decision negotiated by the Greek team, after the initiatve of the representative of the Greek Ministry of Foreign Affairs. This decision adopted by UNESCO's ICPRCPis an excellent example of the preparation invested by Greece in the continued efforts to find a solutuon to the unecessary division of the Parthenon sculptures. Just two weeks ago a celebration of the 13th anniversary of the Acropolis Museumwas organised by BCRPM and Greeks in the UK, at the British Museum. Victoria Hislop, Professor Edith Hall, George Gabriel and Marlen Godwin, members of BCRPM joined Avgoustinos Galiassos  and supporters to ask that the Parthenon Marbles be reunited in Athens.

     

     

     

     

  • Robert Peston on his ITV programme last night, Monday 28 November covered a number of topics from China to the nurses strike, housing and.... the 'Elgin' Marbles. Ed Vaizey and Emily Thornberry were of opposite views with regards to reunification of the Parthenon Marbles.

    Christopher Price and Eddie O'Hara would be unhappy that a Labour MP should not 'see' the merits of reuniting the Parthenon Marbles in the superlative Acropolis Museum. Both Labour MPs in their time, Chris and Eddie had visited the new museum in Athens on a number of occassions. Chris was there for the official opening in June 2009, as Vice-Chair of BCRPM with Eleni Cubitt (Founder and Secretary), Professor Anthony Snodgrass (Chair), Dr Christopher Stockdale (who swam for the reunification in 2000 and cycled in 2005), and Marlen Godwin.

    BCRPM has written to Emily Thornberry to ask if she would reconsider her stance and review what was being asked for in the context not just of the history of the removal of these sculptures but more importantly looking at cultural heritage today. Not as a means of power but more about understanding the importance of cultural heritage in relation to the Parthenon, which still stands. Understanding Greece, a country whose peerless collection, the surviving Parthenon Marbles were sawn almost in half, at a time when Greece had no voice.

    Greece's ask is wholly justified and we do hope that Emily will revisit the plight of these sculptures.   

     

  • 12 March 2021

    Yannis Andritsopoulos, London Correspondent for the Greek daily newspaper Ta Neain an exclusive interview asked UK Prime Minister Johnson about the Parthenon Marbles.

    Prime Minister Johnson was asked specificlly about Prime Minister Mitsotakis' plea to have the Parthenon Marbles back in Greece.

    Sadly PM Johnson chose to answer the question by repeating that the UK governments standpoint is based on legal ownership. Yet the question remains, if the legality was uncontestable, why did the UK government not retain ownership and instead transfered it to the British Museum?

    In today's exclusive interview with the Greek daily newspaper Ta Nea, when asked about the Parthenon Marbles, British PM Johnson said: “I understand the strong feelings of the Greek people – and indeed Prime Minister Mitsotakis – on the issue.But the UK Government has a firm longstanding position on the sculptures, which is that they were legally acquired by Lord Elgin under the appropriate laws of the time and have been legally owned by the British Museum’s Trustees since their acquisition.” 

    In this wide-ranging interview, Prime Minister Johnson also covered topics from post-Brexit Britain to ‘Global Britain’ serving UK citizens and defending UK values by extending the UK’s international influence.

    He also said the UK: "remains committed to working alongside our partners in the region and the UN to find a just and sustainable solution to the Cyprus problem.” Adding that Britain is following developments in the region closely and "welcomes the resumption of Greece-Turkey talks" urging all all parties to prioritise dialogue and diplomacy.

    "I am of course a keen scholar of Greek history, the decisive impact of Navarino on the success of the Greek War of Independence and Britain’s crucial role in it. The Ancient Greeks founded western civilisation and gave us science, culture, philosophy, comedy, tragedy, poetry, mathematics, literature, democracy – to name just a few. But modern Greece’s emergence on the international scene as an independent nation state has also had enormous significance for the world. Greece plays an important role in Europe, NATO and in a pivotal region connecting Europe to the Middle East.

    Despite some of the challenges the country has faced over the past two hundred years, Greece today is a well-governed, prosperous, creative, peace-loving international partner in the family of nations and makes a crucial contribution to the world stage." Concluded Prime Minister Johnson.

    And BCRPM would add: the halves from the Parthenon currently displayed the wrong way round in the British Museum's Room 18, were removed when Greece had no voice. As an independent nation, Greece has been asking politely for some time for the UK to find a way to reunite the sculptures in Athens, so that the surviving pieces may be viewed as close as possible to the Parthenon. The BCRPM sincerely hopes that the UK can begin talks to find a solution to this unecessary division of this peerless collection of sculptures from the Parthenon.   

    The interview by Yannis Andritsopoulos was published in the Greek daily newspaper Ta Nea (www.tanea.gr), today 12 March 2021. To read the interview in English, visit the linkhere

    3 pages of Ta Nea March 12

     

     

  • November is one of those long months, almost at the end of yet another year. It certainly has caused plenty of media frenzy in past years, and this year seems to be no exception.

    Our own enthusiasm with regards to the dialogue that has been ongoing between Greece and the UK on the reunification of the Parthenon Marbles was resting on 'British fair play', and Greece's magnanimous gesture of more Greek artefacts not seen outside of Greece to be exhibited at the British Museum, a gesture made over 23 years ago and repeated ever since.

    There was concern for George Osborne's suggestion of a 'Parthenon Partnership', exchanges of cultural artefacts with rotating loans that would enable the British Museum to continue to hang onto the sculptures already in Room 18. This 'new' British Museum vision, falling short on the call to reunify the surviving Parthenon Marbles, in the Acropolis Museum

    This weekend's interview between Laura Kuenssberg and PM Mitsotakis, followed more coverage on Monday, and the cancellation of the meeting with PM Sunak. Perhaps we shouldn't be surprised but what is more of an affront was that PM Sunak suggested PM Mitsotakis meet with Oliver Dowden, the Deputy Prime Minister.

    Many of you will remember that for 19 months from Feb 2020 to Sept 2021, Mr Dowden was also Secretary of State for Digital, Culture, Media and Sport. There have been so many in that specific post during these past 13 years, that one could be forgiven for not remembering.

    The Times interviewed Mr Dowden in March 2021: "Dowden said that while he loved the Benin Bronzes, he had “never related that much to the Parthenon Sculptures". He added: “Would they have survived the Nazis rampaging through Athens during World War II. It is a slightly trite argument but there is a truth. Would the Benin Bronzes have survived various international conflicts?”

    Needless to say some of our members took to what was then twitter to express their disappointment at Oliver Dowden's comments.

    PM Sunak's decision to cancel his meeting with PM Mitsotakis today, Tuesday 28 November, was made late in the day, and the suggestion that the meeting could take place with Oliver Dowden, a person that two years ago was unaware of how the Greeks safeguarded their artefacts during WWII, was not going to make PM Mitsotakis any happier.

    Maggie Dietz's 'November' poem begins with 'Show's over, folks', and the media's coverage of PM Mitsotakis London visit this November simply highlights the regressive stance of the UK with regards to the reunification of the Parthenon Marbles. For now we will continue to hang onto Janet Suzman, our Chair's words: la luta continua.

  • Professor Armand D'Angour, is Professor of Classics at Jesus College Oxford, and as the newest member of BCRPM, outlines his thoughts on the continued plight of the Parthenon Marbles: 

     

    When I was at school studying Classics in the 1970s, the general view in the UK was that the Elgin Marbles had been legally acquired from the Greeks (via the Turks), that they were the essential centrepiece of the British Museum collection, that they had been nobly rescued from destruction by Elgin, that they were far safer in the clean air of London than in traffic-plagued Athens, and that returning them would set a terrible precedent that could lead to the world's museums being denuded.

    Now, as a Classics Professor, I know that none of those arguments hold true. First, the acquisition by Elgin was for his personal profit and aggrandisement, and was dubiously legal - his alleged firman seems not even to exist; and it was completed through agreement with Turkish rulers of Greece and not Greeks themselves. Secondly, the display of the marbles in the Duveen Gallery is far from ideal; a colourful and well lit set of replicas would be much more appealing - not to mention the wonderful objects Greece might offer on loan in return, or a display of some of the BM's many other millions of objects currently in storage. Thirdly, the Marbles were not kept safe, but damaged with inappropriate cleaning fluids; the beautiful new museum on the Acropolis is a much worthier site today, and traffic is far worse in London than it is in Athens! Few objects have such iconic national status - and if they do, there would be a strong case for their return too to their place of origin.

    These are arguments from common sense and history. The main arguments, though, that have persuaded me personally that the time has come for the reunification of the marbles in Athens are moral and emotional. It feels to many, Greeks and non-Greeks as if they are a vital part of the Greek land and soul; and that their theft by Elgin, compounded by a high-handed attitude to their return, remains an open wound.

    The tale is told that when the Greeks were fighting for their independence, a group of soldiers observed the Turks stripping lead from between the stones of the Parthenon for use as bullets. Relatively uneducated and rustic Christians as the soldiers were, they felt strongly that this was a dreadful desecration of this pagan monument that had eternal significance to Greeks. They sent a delegation to the Turkish commander with a box of bullets - the very means of their own possible deaths - telling him that they would prefer them to be used than for the great ancient monument to be fatally damaged. Unhistorical as this anecdote undoubtedly is, the fact that it has often been told by Greeks is indicative of their strong feelings about this unique monument.

    The emotional resonance of the Parthenon to Greeks - something increasingly recognised and appreciated by British people - makes for me one of the strongest cases for the reunification of the Marbles.

    Armand

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