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Labis Tsirigotakis, an incisive journalist and friend

Many BCRPM knew and respected Labis Tsirigotakis. For four decades Labis' incisive journalism made its mark on the campaign to reunite the Parthenon Marbles.

"It was such a privilege to be standing behind him when in 2018 he interviewed the late Ian Jenkins, the then Senior Curator, Ancient Greece at the British Museum. The interview had been set up for the start of the Rodin exhibition (26 April to 29 July 2018). Labis and cameraman were met by a member of the British Museum's press team and immediately taken to the far end of the Sainsbury Exhibitions Gallery to see 'natural light' coming into this space. And yet for the Parthenon Marbles also exhibited alongside Rodin's own sculptures, lamentably the light was not comparable to the light of Attica," remembers Marlen Godwin. 

Over four decades, Labis had interviewed all five of BCRPM's Chairs alongside founder and Hon Secretary, the late Eleni Cubitt.

Dame Janet Suzman spoke with Labis in October 2016 reminding ERT viewers of when she first met with Melina Mercouri in London and how Eleni had invited Janet to support the campaign in the 80's.  

In June 2023, Labis brought a copy of his book, an autobiography aptly entitled: "Life Memories – From John Lennon to Nelson Mandela” and presented to BCRPM. The book is in BCRPM's library and will remain treasured.

 

Ekathimerini's article, 'Veteran Greek journalist Labis Tsirigotakis'', lists Labis' many achievements including the fact that he produced around 30 documentaries on Greek and international topics for ERT, several of which received awards in Greece and abroad. He was also honoured with the Botsis Foundation Award for objective journalism.

Our thoughts are with Sophia his wife, family and friends, at this very sad time.

 


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Dr Tiffany Jenkins is one of the line up of new appointees that has raised cultural and historical hackles, writes Vanessa Thorpe for the Observer

'British Museum is right to keep Parthenon marbles, says new trustee. Historian Dr Tiffany Jenkins is one of the line up of new appointees that has raised cultural and historical hackles' are the headlines of Vanessa Thorpe's article in the Observer.

Tiffany has written a book and stated that the Parthenon Marbles can continue to remain divided and tell two different stories, a narrative used by the BM for some time. Tiffany also visited the Acropolis Museum and spoke at the Art for Tomorrow event in Athens 16-20 June 2022. The panel debating 'Who Really Owns Art?' a complex question surrounding restitution issues faced by many museums included Tristram Hunt, Tiffany JenkinsVictor Ehikhamenor, and was moderated by Farah Nayeri. The setting, the Acropolis Museum's terrace with direct views to the Parthenon did not sway Tiffany.

We would like to remind readers of BCRPM's late Chair Eddie O'Hara's response to Tiffany and BCRPM member, Dr Peter Thonemann's article in the TSL (2016). Peter writes:

"You will not be surprised to learn that Jenkins is a repatriation sceptic. There are, she thinks, “good reasons for the continued separation of the two sets, and for the retention and display of the Elgin Marbles in the British Museum”. For example, she is particularly struck by the fact that “It is not possible to call any of the pieces from the Parthenon, when isolated from the others, inartistic. What is so interesting about them is that they are still magnificent when standing alone”. This strikes me as a curious argument. Take an analogy drawn, once again, by Christopher Hitchens: imagine that the Mona Lisa had been sawn in half during the Napoleonic wars, and that one half had ended up in a museum in Copenhagen, the other in Lisbon. Neither half, isolated from the other, would be inartistic; each would still be magnificent when standing alone. But that would not be a good reason for their continued separation from one another."

 PM Mitsotakis also used the Mona Lisa as an example when he spoke with Laura Kuenssberg (November 2023).

In Sunday's Observer article, Vanessa Thorpe writes: "The latest appointments to the British Museum’s trustees include an academic expert opposed to the ­restitution of stolen antiquities, Dr Tiffany Jenkins, author of Keeping Their Marbles.

In her book Keeping Their Marbles: How the Treasures of the Past Ended up in Museums… and Why They Should Stay There, Jenkins examined the influences behind the high-profile battle to return museum artefacts in an attempt to repair historical wrongs. Her views are at odds with those of another well-known historian and broadcaster, Professor Alice Roberts, who recently met the Greek culture minister, Lina Mendoni, while filming her series on Ancient Greece for Channel 4."

We sincerely hope that Dr Tiffany Jenkins will begin to appreciate that the story of these sculptures, should they become reunited in Athens, deserve a new chapter. A chapter that extolls understanding and empathy, whilst encouraging cultural cooperation in the 21st century.

Institutions across the world in recent years have begun to acknowledge the importance of returning significant cultural items while still promoting global access to heritage. As  the Metropolitan Museum of Art returned the bronze griffin head to the  Archaeological Museum of Olympia, Dr Lina Mendoni, Greece's Minister of Culture and Sport spoke at the event held in Olympia last week acknowledging that Greece has agreed to loan the griffin head back to the Metropolitan Museum of Art for future exhibitions. 

Admittedly lending parts of the Parthenon sculptures to London will be more complex than lending the bronze griffin head to the Metropolitan Museum of Art, but here's to a future for the Parthenon Marbles where they can, at long last, re-join their other halves in the Parthenon Gallery of the Acropolis Museum. 


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Bronze griffin head stolen nearly a century ago, returns to the Archaeological Museum of Olympia

An ancient bronze griffin head stolen nearly a century ago to the Archaeological Museum of Olympia, has been returned by New York’s Metropolitan Museum of Art. This return  marks ongoing efforts by museum's to return significant artefacts that have been illegally removed to their country of origin.

The Metropolitan Museum of Art has recently increased its efforts to review the history of its holdings, hiring additional experts to track the origins of objects in its collection.

Greek Culture Minister Dr Lina Mendoni attended a ceremony at the Archaeological Museum of Olympia and praised the efforts made by both sides, US and Greece for the return of the griffin.The griffin, a mythical creature with the body of a lion and the head and wings of an eagle, symbolized strength and divine protection in ancient Greece. The bronze head will now be displayed alongside a similar griffin head already on display at the Olympia museum.   

Institutions across the world in recent years have begun to acknowledge the importance of returning significant cultural items while still promoting global access to heritage. As part of this framework, Greece has agreed to loan the griffin head back to the Metropolitan Museum of Art for future exhibitions, Mendoni said.

The Director of the Metropolitan Museum, Max Hollein commented: “We are grateful for our long-standing partnership with the Greek government and look forward to continued engagement and cultural exchange.” 

Greece is also hoping that this approach will boost its long standing campaign for the return of the Parthenon Marbles.

The negotiations between the British Museum and PM Mitsotakis' team, which started two years ago, continues apace.


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I believe that the tide is turning. Time is approaching when these sculptures will return to the Attic light. This is what we believe in and what we strive for, what we are talking about now, is not just about a return but reunification

Dr Lina Mendoni, Greece's Minister of Culture and Sport

Channel 4's second episode of 'Ancient Greece by Train' aired on Saturday 22nd March.

Professor Alice Roberts took viewers on a her second leg of a train journey to explore Ancient Greece. This time she was headed to Athens, looking at the birth of Democracy, exploring the origins of theatre, discovering ancient inscriptions that ensured we learned so much about Greece's ancient past, not least meeting with Greece's Minister of Culture, Dr Lina Mendoni to ask about the continued division of the Parthenon Marbles!

This programme is one watch and we are grateful for Alice's conversation with Dr Mendoni too. As the British Museum appoints five new Trustees and is soon to begin the reimagining of the Western Range which includes Room 18 part of the British Museum's Parthenon Galleries, public opinion in the UK continues to support the return of these sculptures to Greece. It is Greece's only ask, an ask which we feel is totally justified especially as we consider that the BM holds 108,184 Greek artefacts, of which only 6,493 are even on display.

BCRPM's campaign, which begun in 1983 continues.

Professor Alice Roberts asks Dr Mendoni: "In your lifetime would you like to see the Marbles come back from Britain to the Parthenon?"

Greece's Culture Minister, Dr Lina Mendoni takes a moment when she is smiling and sighing before responding with a firm voice: "This is a very strong desire and goal for the Greek people at the national level. We have all been working on it now for the last years. The government has made systematic efforts. Prime Minister Mitsotakis himself has worked on this issue and continues to do so.

I believe that the tide is turning. Time is approaching when these sculptures will return to the Attic light. This is what we believe in and what we strive for, what we are talking about now, is not just about a return but reunification."

Alice goes on to also ask: "What would it mean to Greece to have those Marbles back?"

Lina responds with enthusiasm: "This means a lot. It means reclaiming a part of the identity of a monument, which is universal and belongs to the whole world. We modern Greeks see ourselves as custodians of this monument. However, this monument that symbolises Western civilisation is also part of the identity of the Greek people. This is not only the desire of the Greek people, it was also the vision of Lord Byron."

Alice: "Absolutely!"

Lina: "Byron was at the time, the one who witnessed first hand the violence and theft of the Parthenon. I think that the impression it made on him played a catalytic role not just for his political activities but his intellectual standing."

Alice: "I don't know why it seems so complicated, to me it is very straightforward, they should be back in Athens."

Lina: "Absolutely! And this will happen eventually. Let's hope it happens as we honour the memory of Lord Byron's 200th anniversary since his death."   

 

 

 


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LSE Hellenic Conference: Debate on Greek Cultural Heritage, the Reunification of the Parthenon Marbles

Friday 21 March was day one of a two day conference, the LSE Hellenic Conference 2025.

The first session included a thought provoking discussion between Margaritis Schinas, Vice President of the European Commission (2019-2024) with Spyros Economides. The Translatlantic Alliance and Europe's standing on the world stage, gave the audience plenty to reflect upon. Despite the challenges that Europe and the world face, there is hope. 

BCRPM remembers Margaritis Schinas' article on the Parthenon Marbles too.

The second session of Friday's conference was aptly entitled "Debate on Greek Cultural Heritage: the reunification of the Parthenon Marbles" and was graced by three speakers, two are members of the British Committee for the Reunification of the Parthenon Marbles: Mark Stephens CBE and Victoria Hislop. Roger Michel of the IDA. The moderator was Dr Tatiana Flessa.

Dr Flessa asked the speakers to start by outlining how they had come to support this cause. Mark explained that his legal background and interests saw him working on both the return of Aboriginal remains and Nazi looted art. Meeting with others that had been involved in the Parthenon Marbles case, he too felt strongly that this was a just cause. Victoria spoke of her childhood and as a regular visitor to the British Museum in the 60's and 70's how she had sat on the fence until Boris Johnson, the then PM declared in an interview that the sculptures held in the British Museum would never be returned (March 2021). Roger Michel remembered speaking with the Greek Ambassador pre Covid and explaining that exact replicas could be the answer to this long-running debate. 

Both Mark and Roger spoke at length about the legality of Lord Elgin's removal of the sculptures, not least the sale and the centuries of division. International law, British law and statutes of limitation were highlighted  but Roger wanted to question why the Charities Act rather than the Museum's Act had not been used to facilitate the reunification. Dr Flessa also gathered the thoughts of both Mark and Roger regarding good title and legal transfer.

Victoria was keen to emphasise that should the Parthenon Marbles be reunited, the British Museum would not be emptied. That it was time for the British Museum to look where it was in terms of public opinion and that reuniting the Parthenon Marbles would be the best thing that it could do as an institution that also prides itself on education and research.

Mark spoke about UNESCO and the UN, the resolutions passed regarding specific objects that ought to be returned to their country of origin. On the international arena when emblematic cases where return and restitution to their countries of origin is discussed, there is the greatest support for the reunification of the Parthenon Marbles.  

Roger quoted Castlereagh, one of the most distinguished foreign secretaries in British history, and yet it was Byron that criticised Castlereagh. Roger also added that art has its own rights.

Victoria has often imagined the day when the sculptures will finally arrive at the Acropolis Museum, declaring: "There will be great rejoicing in the whole of Greece - and a National Holiday declared.  In Britain, most will not even notice or care - there won’t be weeping in the street."

BCRPM wishes to thank the organisers and especially Maria Efthymiadou.

Watch the ERT news bulletin by Natasha Kantzavelou.

 

 


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Director General of the Acropolis Museum, Professor Nikolaos Stampolidis addresses the conference “The Parthenon Sculptures. The Abduction of Beauty”

 

"The Parthenon is not Corpus Christi that can be broken and divided. It is a single entity such as Nature and Time, both are kept for all of us. 

It is time for the integral parts of the Parthenon to come back in their integrity for all the humanity, like time, without openings or gaps.

Today, the democracies of the entire free world should support the return and reunification of the Parthenon sculptures to Athens, the mother of Western civilization, the cradle of all democracies, so that their significance may once again be celebrated, united, under the light that it was created.

Greece is not asking this for itself alone, it is asking it for all of humanity, as an example of reunification of the symbol, of our fragmented world. For, it is not only important for a person to protect the past but also to rescue the present from the future."


The inspiring speech by the Director General of the Acropolis Museum, Professor Nikolaos Stampolidis, “The Parthenon Sculptures. The Abduction of Beauty”, took place this week on Thursday evening in Geneva, in the packed Louis Jantet amphitheatre. The atmosphere was rapped in enthusiasm and emotion.

The event was organised by the Swiss Committee for the Reunification of the Parthenon Marbles, Comité Suisse pour le Retour des Marbres du Parthénon (CSRMP), on the occasion of the retirement of its long-serving President (2008-2025), Professor Dusan Sidjanski, and the assumption of the Chairmanship of the Committee by Professor Cléopatre Montandon. Also present Mrs. Katerina Simopoulou, Ambassador of Greece, to Switzerland alongside Mr. Ioannis Gikas Greece's Ambassador to the United Nations. The Consul General in Geneva, Mr. Alexandros Yennimatas, introduced the event.

 

With thanks to Sophia Hiniadou Cambanis for the text and images.

 

 

Pictured above: Professor Dusan Sidjanski, Honorary President Swiss Committee for the Reunification of the Parthenon Marbles, Comité Suisse pour le Retour des Marbres du Parthénon (CSRMP) with Professor  Nikolaos Stampolidis, Director General of the Acropolis Museum, Sophia Hiniadou Cambanis and Chair of the Swiss Committee, Professor Cléopatre Montandon.

The Consul General in Geneva, Mr. Alexandros Yennimatas, introduced the event.

 


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Musical walk at the Acropolis Museum with the Athens State Orchestra

 

The Athens State Orchestra's "Musical Walks" welcomes spring with music at the Acropolis Museum.

On Monday 31, March 2025 join the "Musical Walks" performed by the Athens State Orchestra in the Parthenon Gallery.

This year's event is marked by a programme that presents the wide spectrum of Modernism in Music. With the ambiguous title "Dist(r)opia", the selection of music spans the breadth of the greatest 20th century artists. 

The acclaimed musicians of the Athens State Orchestra will present the following works: PAUL HIDEMIT (1895-1963) Introduction to Richard Wagner's The Flying Dutchman plus Quartet for clarinet, violin, cello and piano BOHUSLAV MARTINOU (1890-1959), String Quartet No. 3 ALFRED SNITTKE (1934-1998), String Quartet No. 3.

Participants in the event included : Vassilis Soukas (violin), Iordanis Santos-Mastralexis (violin), Enkela Kokolani (viola), Angelos Liakakis (cello), Kostas Tzekos (clarinet), Thodoris Iosifidis (piano)

Due to limited availability, book tickets online @ events.theacropolismuseum.gr

The event includes a tour of the exhibition grounds with an Archaeologist at 5:30 p.m. and the musical event starts at 7 p.m. in the Parthenon Gallery.

 

THE ACROPOLIS MUSEUM'S SUMMER  TIMETABLE

From Tuesday, 01 April 2025, the Museum's summer opening hours begin.

01 April to 31 October

Monday 9:00 a.m. - 5:00 p.m.,

Tuesday, Wednesday, Thursday, Saturday & Sunday 9:00 a.m. - 8:00 p.m. 

Friday 9:00 a.m. - 10:00 p.m.

The Museum's restaurant is open during the Museum's opening hours, except on Fridays and Saturdays, when it remains open until 12 midnight. 

 


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