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Rethinking the British Museum, the redevelopment of the Western Range

In the British Museum's re-opened Reading Room there are five 'new visions' with models and respective outline of thoughts put together by five internationally acclaimed architectural teams.

The five shortlisted teams are: David Chipperfield, Lina Ghotmeh, Eric Parry Architects and Jamie Fobert Architects, OMA and 6a Architects. They will be considered by a jury panel and the winning team will be announced this Spring.

The ideas are displayed in the domed Reading Room, now mainly used for the museum's archives and available for students and researchers to access. There is by the architectural models now displayed in this space, a desk or feedback station with pencils and a blank cards, an opportunity for visitors to also have their say.

The British Museum explains that the ideas of the architects are part of the bold transformation of the Western Galleries. That these galleries exhibit over a third of the museum's displays and include the Rosetta Stone, the Assyrian lion hunt and the Parthenon sculptures.

The architectural team that is selected will have the task of "developing a complex project, balancing the Museum's architectural heritage with a forward-looking, visitor-focused experience."

 

'The British Museum reopened its Reading Room for general visitors on 01 July following the introduction of ticketed tours last year' , article in the Museums Journal.

The Western Range will be redeveloped in phases

  • While some galleries will be closed for certain periods, the Museum as a whole will remain open.  
  • Key objects from the Western Range galleries will be displayed elsewhere in the Museum.    
  • Other objects may be loaned as part of the British Museum's commitment to increase national and international loans.

Meanwhile in December last year, London-based Studio Weave won the competition to revamp British Museum entrance paving the way for an improved visitor experience at both entrances on Great Russell Street and Montague Place. More on this by Gareth Harris in The Art Newspaper.

 


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Former Greek Prime Minister Simitis dies as we are reminded of what he had proposed for the reunification of the Parthenon Marbles over two decades ago

Former Greek prime minister Costas Simitis, who led Greece into the European Union's single currency in 2001, died on Sunday 05 January at his summer home in the Peloponnese. He was 88 years old.
 
Costas Simitis was a law professor and a reformist, leading the PASOK socialist party in 1996 and was prime minister until 2004.
 
“With sadness and respect, I bid farewell to Costas Simitis, a worthy and noble political opponent, but also the Prime Minister who accompanied Greece in its great national steps,” conservative Greek Prime Minister Kyriakos Mitsotakis said in a statement, as four days of mourning will end with Simitis funeral on Thursday, 09 January.
 
Sunday's newsroom report in To Vima reminds us of Costas Simitis efforts for the reunification of the Parthenon Marbles. To read the article in full, follow the link here, or for the extracts referring to the Parthenon Marbles, read below. 
 
'A letter from Costas Simitis to then UK Prime Minister Tony Blair ( 21 October 2002), aimed to address Greece’s longstanding campaign for the return of the 5th-century sculptures held by the British Museum. Greece had then proposed a “long-term loan” of the Parthenon Sculptures to Athens in exchange for rotating exhibitions of Greek treasures. 
 
Simitis personally raised the issue during a visit to London on October 27, 2002, gifting Blair a biography of Lord Byron, which included references to the Sculptures. Blair later responded, deferring the decision to the British Museum and rejecting any direct political involvement. Simitis replied, reiterating the importance of a “political gesture.”

The matter gained media attention in 2003 when a Greek television clip showed Simitis appealing to Blair at a European Union summit in Brussels, citing upcoming Greek elections. This led to backlash from opposition parties and the Greek press, accusing Costas Simitis of politicizing a national cultural issue for electoral gain.'


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Museums in 2025

Are museums as trusted places on the line?

Many have written about who controls the narrative in the museum, and have also questioned the authenticity of the material evidence on which those narratives are based. Museums are, after all, highly selective repositories of such evidence.

Facts, as one sage observed, are like tesserae, capable of being assembled into any number of patterns. But when the authenticity of the coloured piece of ceramic is itself open to question, it ceases to be a ‘fact’ and any narrative edifice topples.

Can museums move fast enough and with enough assurance, to turn this splintering world of truth relativism to their advantage, by majoring on a USP of authenticity?

 

 

Tristram Besterman


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Campaigners for the reunification of the Parthenon Marbles described as shibboleths?

"How is it that major institutions do things that are against their own interests, immune from public scrutiny, and damaging to the nation generally?" Asks Robert Tombs. The professor emeritus of French history at the University of Cambridge goes on to answer: "An obvious answer is that “woke” or “radical progressive” shibboleths have become pervasive."

Campaigners for the reunification of the Parthenon Marbles including the 32 BCRPM members might wish to disagree. Plus, one does not get rid of an injustice by labelling it with a shibboleth.

"Public institutions should be different. Most people, I imagine, suppose that they have effective checks and balances, and legally or morally binding rules. 

Or so we might think. Yet strange things are happening. Two of our greatest – the British Museum and the Church of England – have been behaving in ways that are indeed against their own interests, immune from public scrutiny, and damaging to the nation.

The British Museum, through its chair of trustees George Osborne, is seemingly trying to give away one of its greatest treasures, the Elgin Marbles. This plan temporarily ground to a halt only because the Greek government refused to go along with Osborne’s wheeze of making the handover theoretically a loan in order to get round British law. Instead, Athens demanded outright transfer of ownership.

It is now apparently being claimed that there is a “moral obligation” that overrides the law. I shall not discuss the pros and cons of a transfer. Suffice it to say that there might be an argument on cultural grounds for returning the marbles to the special museum in Athens, just as there is an argument for keeping them in London.

But such arguments are rarely explained or seriously discussed by those in power in Bloomsbury or Athens. Instead, dogmatic assertions are made as if they were self-evidently true. The Greek refrain is that Lord Elgin looted the marbles and therefore the British Museum is a receiver of stolen goods. Such accusations, and hence the idea of a “moral obligation”, have been demolished in a report by the historian Sir Noel Malcolm, published by Policy Exchange.

Every curator and trustee in the museum should have digested this pamphlet. Have they? Their plain duty is to protect both the museum and the national interest. They should not acquiesce in Osborne’s private diplomacy, never publicly justified.

What is its aim? To boost Greek tourist revenues and flatter national vanity at Britain’s expense. We owe no such duty to the Greek government. If the issue is a grave diplomatic embarrassment, parliament should have the courage to act openly and change the law. Athens could then offer to buy the marbles: £300 million as an opening bid?"
 
To read all of Robert Tombs' article in Yahoo! News, follow the link here.
 
We are certain that Professor Tombs has the best interest of all things British and the Parthenon Marbles at heart but would be keen to remind him and many more readers of Yahoo! News that there are hundreds of thousands of Greek artefacts in many museums, all around the world. In the British Museum there are no less than 108,184 Greek artefacts, of which only 6,493 are even on display.
 
When BCRPM's Chair, Janet Suzman met with the former President of the Hellenic Republic Prokopis Pavlopoulos in April 2019, he made it clear that Greece's request for the reunification of the Parthenon Marbles was the only request being made by Greece to the UK.
 
 
 
 

 


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Margaritas Schinas, former European Commission vice-president urges the reunification of the Parthenon Marbles to facilitate UK and EU relations reset for 2025

Margaritas Schinas, former European Commission vice-president (1 December 2019, to 30 November 2024 ), suggested that returning the Parthenon Marbles still displayed in the British Museum to Greece would help Sir Keir Starmer reset post-Brexit relations with the European Union.

“Returning the Marbles would be a powerful symbol of Britain’s commitment to strengthening ties and turning the page on recent divisions,” Schinas told The Daily Telegraph. “It’s time to close this chapter and open a new era of mutual respect and collaboration.”

Tom Gould writing for the ipaper adds: "The Elgin Marbles are a collection of ancient Greek sculptures, now largely housed in the British Museum, which were controversially acquired by Lord Elgin in the early 1800s. The Greek government insists that they were stolen.

A 1963 law currently prevents the British Museum from returning the Marbles, but they could be loaned on a long-term basis."

Read the article here.


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The reunification of the Sculptures is a wonderful opportunity for Britain to show magnanimity, demonstrating ingenuity rather than arrogance.

Baroness Sami Chakrabarti, member of the House of Lords, a member of the Labour Party and BCRPM

“The reunification of the Sculptures is a wonderful opportunity for Britain to show magnanimity, demonstrating ingenuity rather than arrogance,” Baroness Shami Chakrabarti, a member of the House of Lords, a member of the ruling Labour Party, and a member of BCRPM, quoted in “TA NEA”. “Every person should be able to see these antiquities in their Athenian home. Lawyers are in a position to devise new international tools to protect these world treasures in perpetuity,” added Baroness Shami Chakrabarti.

The Ta Nea article, written in Greek, can be read in full and outlines the result of the Greek PM, Kyriakos Mitsotakis' London visit and his meeting with Sir Keir Starmer.

PM Mitsotakis has met up with Sir Starmer on several occasions starting a year ago when Mitsotakis was snubbed by the then UK PM, Rishi Sunak. All of PM Mitsotakis' encounters with Sir Starmer have been convivial and despite the fact that the current, Labour UK government is not willing to consider amending of the UK 's Museum Act. 

The impasse continues.

 


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AN Wilson's Comment in today's edition (December 7th) is lumbered with a dreadful headline - 'We've lost our marbles over ancient Greece' - and contains several factual errors

Letter sent to The Times 

 

AN Wilson's Comment in today's edition (December 7th) is lumbered with a dreadful headline - 'We've lost our marbles over ancient Greece' - and contains several factual errors, but at least the esteemed author's heart is in the right place: the legacy represented by the Athenians of one of their glory ages is indeed worth not forgetting. What would not be apparent from this piece, however, nor from letters published that are hostile to the very notion, is that the paper's own official declared editorial policy is in favour of the repatriation and reunification of the Parthenon Marbles/Sculptures currently housed in the B.M. back in their native place, Athens. Nor that the Parthenon Marbles/Sculptures are but part of the Museum's wider 'Elgin collection'. They are Elgin Marbles, but not 'the' Elgin Marbles. It is only the sculptures from the Parthenon - out of the Museum's estimated 8 million artefacts - for which the Greek Government requests their return to Athens.

 

Paul Cartledge (Professor) 

Vice-Chair, British Committee for the Reunification of the Parthenon Marbles

To read AN Wilson's comment article in The Times, follow the link here.

 


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